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<dblpperson name="Florent Berthaut" pid="39/9399" n="51">
<person key="homepages/39/9399" mdate="2023-04-04">
<author pid="39/9399">Florent Berthaut</author>
<url>https://orcid.org/0000-0002-1273-0073</url>
</person>
<r><article key="journals/tvcg/ArslanB25" mdate="2025-05-09">
<author pid="213/9175">Cagan Arslan</author>
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<title>Examining the Design Process for 3D Interactions in Performing Arts: A Spatial Augmented Reality Cyber-Opera Case Study.</title>
<pages>2406-2415</pages>
<year>2025</year>
<month>May</month>
<volume>31</volume>
<journal>IEEE Trans. Vis. Comput. Graph.</journal>
<number>5</number>
<ee>https://doi.org/10.1109/TVCG.2025.3549194</ee>
<url>db/journals/tvcg/tvcg31.html#ArslanB25</url>
<stream>streams/journals/tvcg</stream>
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</r>
<r><article key="journals/tvcg/UroBPW25" mdate="2025-05-09">
<author orcid="0009-0008-1333-3433" pid="374/4369">Pierrick Uro</author>
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author orcid="0000-0002-2013-7253" pid="p/ThomasPietrzak">Thomas Pietrzak</author>
<author orcid="0000-0002-9169-4313" pid="78/3830">Marcelo M. Wanderley</author>
<title>Behavioral Measures of Copresence in Co-located Mixed Reality.</title>
<pages>2848-2858</pages>
<year>2025</year>
<month>May</month>
<volume>31</volume>
<journal>IEEE Trans. Vis. Comput. Graph.</journal>
<number>5</number>
<ee>https://doi.org/10.1109/TVCG.2025.3549135</ee>
<url>db/journals/tvcg/tvcg31.html#UroBPW25</url>
<stream>streams/journals/tvcg</stream>
</article>
</r>
<r><inproceedings key="conf/ACMdis/UroBPWG25" mdate="2025-08-09">
<author orcid="0009-0008-1333-3433" pid="374/4369">Pierrick Uro</author>
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author orcid="0000-0002-2013-7253" pid="p/ThomasPietrzak">Thomas Pietrzak</author>
<author orcid="0000-0002-9169-4313" pid="78/3830">Marcelo M. Wanderley</author>
<author orcid="0000-0002-5897-5957" pid="68/5299">Laurent Grisoni</author>
<title>Strategies for the Reconciliation of Artistic Intent and Technical Constraints in Mixed Reality Performances.</title>
<pages>1603-1614</pages>
<year>2025</year>
<booktitle>Conference on Designing Interactive Systems</booktitle>
<ee>https://doi.org/10.1145/3715336.3735738</ee>
<crossref>conf/ACMdis/2025</crossref>
<url>db/conf/ACMdis/ACMdis2025.html#UroBPWG25</url>
</inproceedings>
</r>
<r><inproceedings key="conf/vr/BremardDGB25" mdate="2025-04-29">
<author pid="147/4420">Nicolas Bremard</author>
<author pid="80/1836">Michel Dubois</author>
<author pid="375/3276">Arnaud Gauthier</author>
<author pid="39/9399">Florent Berthaut</author>
<title>Virtual Immersion in Underground Quarries: An Innovative Exploration of Historical and Cultural Heritage.</title>
<pages>35-38</pages>
<year>2025</year>
<booktitle>VR Workshops</booktitle>
<ee>https://doi.org/10.1109/VRW66409.2025.00015</ee>
<crossref>conf/vr/2025w</crossref>
<url>db/conf/vr/vr2025w.html#BremardDGB25</url>
</inproceedings>
</r>
<r><inproceedings key="conf/vr/SerafinANFGBBMH25" mdate="2025-07-25">
<author orcid="0000-0001-6971-1132" pid="96/2369">Stefania Serafin</author>
<author orcid="0000-0001-5414-8631" pid="203/0117">Ali Adjorlu</author>
<author pid="23/7880">Rolf Nordahl</author>
<author pid="85/936">Federico Fontana</author>
<author orcid="0000-0002-0621-2704" pid="44/11263">Michele Geronazzo</author>
<author pid="130/5001">Tifanie Bouchara</author>
<author pid="39/9399">Florent Berthaut</author>
<author pid="159/4930">Romain Michon</author>
<author orcid="0000-0002-4771-8517" pid="145/5710">Dorte Hammersh&#248;i</author>
<author pid="115/5748">Lorenzo Picinali</author>
<title>IEEE 8th VR Workshop on Sonic Interactions for Virtual Environments.</title>
<pages>611-612</pages>
<year>2025</year>
<booktitle>VR Workshops</booktitle>
<ee>https://doi.org/10.1109/VRW66409.2025.00127</ee>
<crossref>conf/vr/2025w</crossref>
<url>db/conf/vr/vr2025w.html#SerafinANFGBBMH25</url>
</inproceedings>
</r>
<r><inproceedings key="conf/vr/BeaumontB25" mdate="2025-04-29">
<author pid="403/2369">S&#233;bastien Beaumont</author>
<author pid="39/9399">Florent Berthaut</author>
<title>Reverberations.</title>
<pages>1694-1695</pages>
<year>2025</year>
<booktitle>VR Workshops</booktitle>
<ee>https://doi.org/10.1109/VRW66409.2025.00492</ee>
<crossref>conf/vr/2025w</crossref>
<url>db/conf/vr/vr2025w.html#BeaumontB25</url>
</inproceedings>
</r>
<r><inproceedings key="conf/vrst/SalinGBG25" mdate="2025-12-26">
<author orcid="0009-0009-7632-3758" pid="421/2170">Nathan Salin</author>
<author orcid="0000-0002-9351-2747" pid="63/2070">Val&#233;rie Gouranton</author>
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author orcid="0000-0002-4762-4342" pid="69/3600">Ronan Gaugne</author>
<title>Toward Multimodal Asynchronous Collaboration in VR Artistic Creation with S.P.A.R.K.</title>
<pages>68:1-68:10</pages>
<year>2025</year>
<booktitle>VRST</booktitle>
<ee>https://doi.org/10.1145/3756884.3765998</ee>
<crossref>conf/vrst/2025</crossref>
<url>db/conf/vrst/vrst2025.html#SalinGBG25</url>
</inproceedings>
</r>
<r><inproceedings key="conf/audio/GruyB24" mdate="2024-10-08">
<author orcid="0009-0000-4229-6215" pid="386/8594">Esther Gruy</author>
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<title>Musical Drawing in 2D and 3D: Dimensions and Perspectives.</title>
<pages>181-188</pages>
<year>2024</year>
<booktitle>Audio Mostly Conference</booktitle>
<ee>https://doi.org/10.1145/3678299.3678317</ee>
<crossref>conf/audio/2024</crossref>
<url>db/conf/audio/audio2024.html#GruyB24</url>
</inproceedings>
</r>
<r><book publtype="habil" key="books/hal/Berthaut23" mdate="2024-02-28">
<author pid="39/9399">Florent Berthaut</author>
<title>Revealing Interactions : Expression and Exploration in Mixed and Virtual Reality. (Interactions R&#233;v&#233;l&#233;es : Expression et Exploration en R&#233;alit&#233; Mixte et Virtuelle).</title>
<year>2023</year>
<school>University of Lille, France</school>
<ee>https://tel.archives-ouvertes.fr/tel-04425551</ee>
</book>
</r>
<r><article key="journals/ijmms/ReynaertRBG23" mdate="2023-08-05">
<author orcid="0000-0002-4145-0695" pid="300/9360">Vincent Reynaert</author>
<author orcid="0000-0001-8997-7640" pid="133/1246">Yosra Rekik</author>
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author pid="68/5299">Laurent Grisoni</author>
<title>The effect of hands synchronicity on users perceived arms Fatigue in Virtual reality environment.</title>
<pages>103092</pages>
<year>2023</year>
<month>October</month>
<volume>178</volume>
<journal>Int. J. Hum. Comput. Stud.</journal>
<ee>https://doi.org/10.1016/j.ijhcs.2023.103092</ee>
<url>db/journals/ijmms/ijmms178.html#ReynaertRBG23</url>
</article>
</r>
<r><inproceedings key="conf/ihm/BrahimajBGS23" mdate="2025-07-02">
<author orcid="0000-0002-6179-2481" pid="348/7732">Detjon Brahimaj</author>
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author orcid="0000-0002-5688-711X" pid="33/1153">Fr&#233;d&#233;ric Giraud 0001</author>
<author orcid="0000-0002-4157-6976" pid="26/4333">Betty Semail</author>
<title>Cross-modal interaction of stereoscopy, surface deformation and tactile feedback on the perception of texture roughness in an active touch condition: Interaction intermodale de la st&#233;r&#233;oscopie, de la d&#233;formation de surface et de la retour tactile sur la perception de la rugosit&#233; de la texture dans un &#233;tat tactile actif.</title>
<pages>6:1-6:12</pages>
<year>2023</year>
<booktitle>IHM</booktitle>
<ee>https://doi.org/10.1145/3583961.3583967</ee>
<crossref>conf/ihm/2023</crossref>
<url>db/conf/ihm/ihm2023.html#BrahimajBGS23</url>
</inproceedings>
</r>
<r><inproceedings key="conf/nime/ArslanBBCP22" mdate="2023-04-29">
<author pid="213/9175">Cagan Arslan</author>
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author pid="344/0097">Anthony Beuchey</author>
<author pid="304/1558">Paul Cambourian</author>
<author pid="170/8081">Arthur Pat&#233;</author>
<title>Vibrating shapes : Design and evolution of a spatial augmented reality interface for actuated instruments.</title>
<year>2022</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.21428/92fbeb44.c28dd323</ee>
<crossref>conf/nime/2022</crossref>
<url>db/conf/nime/nime2022.html#ArslanBBCP22</url>
</inproceedings>
</r>
<r><inproceedings key="conf/nime/BerthautD22" mdate="2023-04-16">
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author pid="119/4559">Luke Dahl</author>
<title>The Effect of Visualisation Level and Situational Visibility in Co-located Digital Musical Ensembles.</title>
<year>2022</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.21428/92fbeb44.9d974714</ee>
<crossref>conf/nime/2022</crossref>
<url>db/conf/nime/nime2022.html#BerthautD22</url>
</inproceedings>
</r>
<r><article key="journals/comj/CapraBG21" mdate="2022-01-06">
<author pid="230/6343">Olivier Capra</author>
<author pid="39/9399">Florent Berthaut</author>
<author pid="68/5299">Laurent Grisoni</author>
<title>Levels of Detail in Visual Augmentation for Novice and Expert Audiences.</title>
<pages>92-107</pages>
<year>2021</year>
<volume>44</volume>
<journal>Comput. Music. J.</journal>
<number>2-3</number>
<ee>https://doi.org/10.1162/comj_a_00568</ee>
<url>db/journals/comj/comj44.html#CapraBG21</url>
</article>
</r>
<r><inproceedings key="conf/interact/ReynaertBRG21" mdate="2023-09-30">
<author orcid="0000-0002-4145-0695" pid="300/9360">Vincent Reynaert</author>
<author pid="39/9399">Florent Berthaut</author>
<author pid="133/1246">Yosra Rekik</author>
<author orcid="0000-0002-5897-5957" pid="68/5299">Laurent Grisoni</author>
<title>The Effect of Rhythm in Mid-air Gestures on the User Experience in Virtual Reality.</title>
<pages>182-191</pages>
<year>2021</year>
<booktitle>INTERACT (3)</booktitle>
<ee>https://doi.org/10.1007/978-3-030-85613-7_13</ee>
<crossref>conf/interact/2021-3</crossref>
<url>db/conf/interact/interact2021-3.html#ReynaertBRG21</url>
</inproceedings>
</r>
<r><inproceedings key="conf/nime/Berthaut21" mdate="2023-04-06">
<author pid="39/9399">Florent Berthaut</author>
<title>Musical Exploration of Volumetric Textures in Mixed and Virtual Reality.</title>
<year>2021</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.21428/92fbeb44.6607d04f</ee>
<crossref>conf/nime/2021</crossref>
<url>db/conf/nime/nime2021.html#Berthaut21</url>
</inproceedings>
</r>
<r><inproceedings key="conf/nime/ReynaertBRG21" mdate="2023-05-01">
<author orcid="0000-0002-4145-0695" pid="300/9360">Vincent Reynaert</author>
<author pid="39/9399">Florent Berthaut</author>
<author pid="133/1246">Yosra Rekik</author>
<author pid="68/5299">Laurent Grisoni</author>
<title>The Effect of Control-Display Ratio on User Experience in Immersive Virtual Musical Instruments.</title>
<year>2021</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.21428/92fbeb44.c47be986</ee>
<crossref>conf/nime/2021</crossref>
<url>db/conf/nime/nime2021.html#ReynaertBRG21</url>
</inproceedings>
</r>
<r><inproceedings key="conf/vr/GuefrechBPPG21" mdate="2023-09-30">
<author pid="270/9011">Fatma Ben Guefrech</author>
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author pid="63/1972">Patricia Pl&#233;nacoste</author>
<author orcid="0000-0002-1145-357X" pid="71/984">Yvan Peter</author>
<author orcid="0000-0002-5897-5957" pid="68/5299">Laurent Grisoni</author>
<title>Revealable Volume Displays: 3D Exploration of Mixed-Reality Public Exhibitions.</title>
<pages>31-39</pages>
<year>2021</year>
<booktitle>VR</booktitle>
<ee>https://doi.org/10.1109/VR50410.2021.00023</ee>
<crossref>conf/vr/2021</crossref>
<url>db/conf/vr/vr2021.html#GuefrechBPPG21</url>
</inproceedings>
</r>
<r><inproceedings key="conf/ACMdis/CapraBG20" mdate="2023-09-30">
<author pid="230/6343">Olivier Capra</author>
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author orcid="0000-0002-5897-5957" pid="68/5299">Laurent Grisoni</author>
<title>Have a SEAT on Stage: Restoring Trust with Spectator Experience Augmentation Techniques.</title>
<pages>695-707</pages>
<year>2020</year>
<booktitle>Conference on Designing Interactive Systems</booktitle>
<ee>https://doi.org/10.1145/3357236.3395492</ee>
<crossref>conf/ACMdis/2020</crossref>
<url>db/conf/ACMdis/ACMdis2020.html#CapraBG20</url>
</inproceedings>
</r>
<r><inproceedings key="conf/grapp/DariosecqPBKG20" mdate="2025-07-02">
<author pid="262/8439">Maxime Dariosecq</author>
<author pid="63/1972">Patricia Pl&#233;nacoste</author>
<author pid="39/9399">Florent Berthaut</author>
<author pid="220/4878">Anis Kaci</author>
<author pid="33/1153">Fr&#233;d&#233;ric Giraud 0001</author>
<title>Investigating the Semantic Perceptual Space of Synthetic Textures on an Ultrasonic based Haptic Tablet.</title>
<pages>45-52</pages>
<year>2020</year>
<booktitle>VISIGRAPP (2: HUCAPP)</booktitle>
<ee>https://doi.org/10.5220/0008979800450052</ee>
<crossref>conf/grapp/2020hucapp</crossref>
<url>db/conf/grapp/hucapp2020.html#DariosecqPBKG20</url>
</inproceedings>
</r>
<r><inproceedings key="conf/nime/CapraBG20" mdate="2023-04-04">
<author pid="230/6343">Olivier Capra</author>
<author pid="39/9399">Florent Berthaut</author>
<author pid="68/5299">Laurent Grisoni</author>
<title>All You Need Is LOD : Levels of Detail in Visual Augmentations for the Audience.</title>
<pages>67-72</pages>
<year>2020</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.5281/zenodo.4813236</ee>
<crossref>conf/nime/2020</crossref>
<url>db/conf/nime/nime2020.html#CapraBG20</url>
</inproceedings>
</r>
<r><inproceedings key="conf/nime/BerthautD20" mdate="2023-04-04">
<author pid="39/9399">Florent Berthaut</author>
<author pid="119/4559">Luke Dahl</author>
<title>Adapting &#38; Openness: Dynamics of Collaboration Interfaces for Heterogeneous Digital Orchestras.</title>
<pages>77-82</pages>
<year>2020</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.5281/zenodo.4813241</ee>
<crossref>conf/nime/2020</crossref>
<url>db/conf/nime/nime2020.html#BerthautD20</url>
</inproceedings>
</r>
<r><inproceedings key="conf/nime/CapraBG20a" mdate="2023-04-04">
<author pid="230/6343">Olivier Capra</author>
<author pid="39/9399">Florent Berthaut</author>
<author pid="68/5299">Laurent Grisoni</author>
<title>A Taxonomy of Spectator Experience Augmentation Techniques.</title>
<pages>327-330</pages>
<year>2020</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.5281/zenodo.4813396</ee>
<crossref>conf/nime/2020</crossref>
<url>db/conf/nime/nime2020.html#CapraBG20a</url>
</inproceedings>
</r>
<r><inproceedings key="conf/nime/ArslanBMBG18" mdate="2023-04-04">
<author pid="213/9175">Cagan Arslan</author>
<author pid="39/9399">Florent Berthaut</author>
<author pid="03/1471">Jean Martinet</author>
<author pid="b/IoanMariusBilasco">Ioan Marius Bilasco</author>
<author pid="68/5299">Laurent Grisoni</author>
<title>The Phone with the Flow: Combining Touch + Optical Flow in Mobile Instruments.</title>
<pages>148-151</pages>
<year>2018</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.5281/zenodo.1302709</ee>
<crossref>conf/nime/2018</crossref>
<url>db/conf/nime/nime2018.html#ArslanBMBG18</url>
</inproceedings>
</r>
<r><inproceedings key="conf/cmmr/KalantariBG17" mdate="2018-11-27">
<author pid="188/9483">Farzan Kalantari</author>
<author pid="39/9399">Florent Berthaut</author>
<author pid="68/5299">Laurent Grisoni</author>
<title>Enriching Musical Interaction on Tactile Feedback Surfaces with Programmable Friction.</title>
<pages>387-401</pages>
<year>2017</year>
<booktitle>CMMR</booktitle>
<ee>https://doi.org/10.1007/978-3-030-01692-0_25</ee>
<crossref>conf/cmmr/2017</crossref>
<url>db/conf/cmmr/cmmr2017.html#KalantariBG17</url>
</inproceedings>
</r>
<r><inproceedings key="conf/cmmr/DahlBNP17" mdate="2018-11-27">
<author pid="119/4559">Luke Dahl</author>
<author pid="39/9399">Florent Berthaut</author>
<author pid="230/6192">Antoine Nau</author>
<author pid="63/1972">Patricia Pl&#233;nacoste</author>
<title>bf-pd: Enabling Mediated Communication and Cooperation in Improvised Digital Orchestras.</title>
<pages>454-467</pages>
<year>2017</year>
<booktitle>CMMR</booktitle>
<ee>https://doi.org/10.1007/978-3-030-01692-0_30</ee>
<crossref>conf/cmmr/2017</crossref>
<url>db/conf/cmmr/cmmr2017.html#DahlBNP17</url>
</inproceedings>
</r>
<r><inproceedings key="conf/cmmr/CapraBG17" mdate="2018-11-27">
<author pid="230/6343">Olivier Capra</author>
<author pid="39/9399">Florent Berthaut</author>
<author pid="68/5299">Laurent Grisoni</author>
<title>Toward Augmented Familiarity of the Audience with Digital Musical Instruments.</title>
<pages>558-573</pages>
<year>2017</year>
<booktitle>CMMR</booktitle>
<ee>https://doi.org/10.1007/978-3-030-01692-0_37</ee>
<crossref>conf/cmmr/2017</crossref>
<url>db/conf/cmmr/cmmr2017.html#CapraBG17</url>
</inproceedings>
</r>
<r><inproceedings key="conf/nime/BerthautAG17" mdate="2023-04-04">
<author pid="39/9399">Florent Berthaut</author>
<author pid="213/9175">Cagan Arslan</author>
<author pid="68/5299">Laurent Grisoni</author>
<title>Revgest: augmenting gestural musical instruments with revealed virtual objects.</title>
<pages>180-185</pages>
<year>2017</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.5281/zenodo.1176213</ee>
<crossref>conf/nime/2017</crossref>
<url>db/conf/nime/nime2017.html#BerthautAG17</url>
</inproceedings>
</r>
<r><article key="journals/cga/BerthautH16" mdate="2024-08-04">
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author orcid="0000-0003-3889-2529" pid="41/6185">Martin Hachet</author>
<title>Spatial Interfaces and Interactive 3D Environments for Immersive Musical Performances.</title>
<pages>82-87</pages>
<year>2016</year>
<volume>36</volume>
<journal>IEEE Computer Graphics and Applications</journal>
<number>5</number>
<ee>https://doi.org/10.1109/MCG.2016.96</ee>
<ee>http://doi.ieeecomputersociety.org/10.1109/MCG.2016.96</ee>
<ee>https://www.wikidata.org/entity/Q30397809</ee>
<url>db/journals/cga/cga36.html#BerthautH16</url>
</article>
</r>
<r><inproceedings key="conf/tabletop/BerthautJ16" mdate="2022-11-04">
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author pid="217/1914">Alex J. Jones</author>
<title>ControllAR: Appropriation of Visual Feedback on Control Surfaces.</title>
<pages>271-277</pages>
<year>2016</year>
<booktitle>ISS</booktitle>
<ee>https://doi.org/10.1145/2992154.2992170</ee>
<ee>https://www.wikidata.org/entity/Q60034476</ee>
<crossref>conf/tabletop/2016</crossref>
<url>db/conf/tabletop/iss2016.html#BerthautJ16</url>
</inproceedings>
</r>
<r><inproceedings key="conf/tabletop/JonesB16" mdate="2022-11-04">
<author orcid="0000-0002-0365-5753" pid="217/1914">Alex J. Jones</author>
<author pid="39/9399">Florent Berthaut</author>
<title>ControllAR: Appropriation of Visual Feedback on Control Surfaces.</title>
<pages>465-468</pages>
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<booktitle>ISS</booktitle>
<ee>https://doi.org/10.1145/2992154.2998580</ee>
<crossref>conf/tabletop/2016</crossref>
<url>db/conf/tabletop/iss2016.html#JonesB16</url>
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<r><article key="journals/tds/BerthautD15" mdate="2022-03-16">
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author pid="41/4845">Myriam Desainte-Catherine</author>
<title>Interaction musicale mum&#233;rique. Recr&#233;er les signaux du contr&#244;le.</title>
<pages>345-363</pages>
<year>2015</year>
<volume>32</volume>
<journal>Traitement du Signal</journal>
<number>4</number>
<ee type="archive">https://doi.org/10.3166/ts.32.345-363</ee>
<url>db/journals/tds/tds32.html#BerthautD15</url>
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<r><inproceedings key="conf/cmmr/BerthautD15" mdate="2022-04-09">
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author pid="119/4559">Luke Dahl</author>
<title>BOEUF: A Unified Framework for Modeling and Designing Digital Orchestras.</title>
<pages>153-166</pages>
<year>2015</year>
<booktitle>CMMR</booktitle>
<ee>https://doi.org/10.1007/978-3-319-46282-0_10</ee>
<crossref>conf/cmmr/2015</crossref>
<url>db/conf/cmmr/cmmr2015.html#BerthautD15</url>
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<r><inproceedings key="conf/nime/BerthautPHS15" mdate="2023-04-04">
<author pid="39/9399">Florent Berthaut</author>
<author pid="119/4591">Diego Mart&#237;nez Plasencia</author>
<author pid="41/6185">Martin Hachet</author>
<author pid="s/SriramSubramanian">Sriram Subramanian</author>
<title>Reflets: combining and revealing spaces for musical performances.</title>
<pages>116-120</pages>
<year>2015</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.5281/zenodo.1179028</ee>
<crossref>conf/nime/2015</crossref>
<url>db/conf/nime/nime2015.html#BerthautPHS15</url>
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<r><inproceedings key="conf/nime/BennettKBC15" mdate="2023-04-04">
<author pid="128/9559">Peter D. Bennett</author>
<author pid="141/3840">Jarrod Knibbe</author>
<author pid="39/9399">Florent Berthaut</author>
<author pid="27/900">Kirsten Cater</author>
<title>Resonant bits: controlling digital musical instruments with resonance and the ideomotor effect.</title>
<pages>176-177</pages>
<year>2015</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.5281/zenodo.1179020</ee>
<crossref>conf/nime/2015</crossref>
<url>db/conf/nime/nime2015.html#BennettKBC15</url>
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<r><inproceedings key="conf/nime/BerthautCML15" mdate="2023-04-04">
<author pid="39/9399">Florent Berthaut</author>
<author pid="96/5266">David Coyle</author>
<author pid="15/2259">James W. Moore</author>
<author pid="161/3342">Hannah Limerick</author>
<title>Liveness through the lens of agency and causality.</title>
<pages>382-386</pages>
<year>2015</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.5281/zenodo.1179026</ee>
<crossref>conf/nime/2015</crossref>
<url>db/conf/nime/nime2015.html#BerthautCML15</url>
</inproceedings>
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<r><inproceedings key="conf/tabletop/BerthautSMDS15" mdate="2019-06-02">
<author pid="39/9399">Florent Berthaut</author>
<author pid="161/3182">Deepak Ranjan Sahoo</author>
<author pid="170/8433">Jess McIntosh</author>
<author pid="134/0801">Diptesh Das</author>
<author orcid="0000-0002-5266-8366" pid="s/SriramSubramanian">Sriram Subramanian</author>
<title>Dynamir: Optical Manipulations Using Dynamic Mirror Brushes.</title>
<pages>55-58</pages>
<year>2015</year>
<booktitle>ITS</booktitle>
<ee>https://doi.org/10.1145/2817721.2817744</ee>
<ee>https://www.wikidata.org/entity/Q59561536</ee>
<crossref>conf/tabletop/2015</crossref>
<url>db/conf/tabletop/its2015.html#BerthautSMDS15</url>
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<r><inproceedings key="conf/nime/BerthautK14" mdate="2023-04-04">
<author pid="39/9399">Florent Berthaut</author>
<author pid="141/3840">Jarrod Knibbe</author>
<title>Wubbles: A Collaborative Ephemeral Musical Instrument.</title>
<pages>499-500</pages>
<year>2014</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.5281/zenodo.1178716</ee>
<crossref>conf/nime/2014</crossref>
<url>db/conf/nime/nime2014.html#BerthautK14</url>
</inproceedings>
</r>
<r><inproceedings key="conf/uist/PlasenciaBKS14" mdate="2019-06-02">
<author orcid="0000-0002-5815-8236" pid="119/4591">Diego Mart&#237;nez Plasencia</author>
<author pid="39/9399">Florent Berthaut</author>
<author orcid="0000-0002-3482-1654" pid="07/9544">Abhijit Karnik</author>
<author orcid="0000-0002-5266-8366" pid="s/SriramSubramanian">Sriram Subramanian</author>
<title>Through the combining glass.</title>
<pages>341-350</pages>
<year>2014</year>
<booktitle>UIST</booktitle>
<ee>https://doi.org/10.1145/2642918.2647351</ee>
<ee>https://www.wikidata.org/entity/Q59561680</ee>
<crossref>conf/uist/2014</crossref>
<url>db/conf/uist/uist2014.html#PlasenciaBKS14</url>
</inproceedings>
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<r><inproceedings key="conf/vr/BerthautZM14" mdate="2023-03-23">
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author pid="01/4767">Victor Zappi</author>
<author pid="122/5829">Dario Mazzanti</author>
<title>Scenography of immersive virtual musical instruments.</title>
<pages>19-24</pages>
<year>2014</year>
<booktitle>SIVE@VR</booktitle>
<ee>https://doi.org/10.1109/SIVE.2014.7006285</ee>
<ee>https://doi.ieeecomputersociety.org/10.1109/SIVE.2014.7006285</ee>
<crossref>conf/vr/2014sive</crossref>
<url>db/conf/vr/sive2014.html#BerthautZM14</url>
</inproceedings>
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<r><inproceedings key="conf/icfp/JaninBDOS13" mdate="2020-10-25">
<author pid="09/5433">David Janin</author>
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author pid="41/4845">Myriam Desainte-Catherine</author>
<author pid="06/1339">Yann Orlarey</author>
<author pid="53/7006">Sylvain Salvati</author>
<title>The T-calculus: towards a structured programing of (musical) time and space.</title>
<pages>23-34</pages>
<year>2013</year>
<booktitle>FARM@ICFP</booktitle>
<ee>https://doi.org/10.1145/2505341.2505347</ee>
<crossref>conf/icfp/2013farm</crossref>
<url>db/conf/icfp/farm2013.html#JaninBDOS13</url>
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<r><inproceedings key="conf/nime/BerthautMSH13" mdate="2023-04-04">
<author pid="39/9399">Florent Berthaut</author>
<author pid="16/2705">Mark T. Marshall</author>
<author pid="s/SriramSubramanian">Sriram Subramanian</author>
<author pid="41/6185">Martin Hachet</author>
<title>Rouages: Revealing the Mechanisms of Digital Musical Instruments to the Audience.</title>
<pages>164-169</pages>
<year>2013</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.5281/zenodo.1178478</ee>
<crossref>conf/nime/2013</crossref>
<url>db/conf/nime/nime2013.html#BerthautMSH13</url>
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<r><article key="journals/ijsc/BerthautJM12" mdate="2020-10-26">
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author pid="09/5433">David Janin</author>
<author pid="40/5964-1">Benjamin Martin 0001</author>
<title>Advanced Synchronization of Audio or Symbolic Musical Patterns: an Algebraic Approach.</title>
<pages>409-428</pages>
<year>2012</year>
<volume>6</volume>
<journal>Int. J. Semantic Comput.</journal>
<number>4</number>
<ee>https://doi.org/10.1142/S1793351X12400132</ee>
<url>db/journals/ijsc/ijsc6.html#BerthautJM12</url>
</article>
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<r><inproceedings key="conf/3dui/Berthaut12" mdate="2023-03-24">
<author pid="39/9399">Florent Berthaut</author>
<title>Poster: Beyond the Tunnels: Advanced 3D graphical modulation.</title>
<pages>139-140</pages>
<year>2012</year>
<booktitle>3DUI</booktitle>
<ee>https://doi.org/10.1109/3DUI.2012.6184200</ee>
<ee>https://doi.ieeecomputersociety.org/10.1109/3DUI.2012.6184200</ee>
<crossref>conf/3dui/2012</crossref>
<url>db/conf/3dui/3dui2012.html#Berthaut12</url>
</inproceedings>
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<r><inproceedings key="conf/semco/BerthautJM12" mdate="2023-03-23">
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<author pid="09/5433">David Janin</author>
<author pid="40/5964-1">Benjamin Martin 0001</author>
<title>Advanced Synchronization of Audio or Symbolic Musical Patterns: An Algebraic Approach.</title>
<pages>302-309</pages>
<year>2012</year>
<booktitle>ICSC</booktitle>
<ee>https://doi.org/10.1109/ICSC.2012.11</ee>
<ee>https://doi.ieeecomputersociety.org/10.1109/ICSC.2012.11</ee>
<crossref>conf/semco/2012</crossref>
<url>db/conf/semco/icsc2012.html#BerthautJM12</url>
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<r><inproceedings key="conf/nime/BerthautKWTS11" mdate="2023-04-04">
<author pid="39/9399">Florent Berthaut</author>
<author pid="08/864">Haruhiro Katayose</author>
<author pid="76/10556">Hironori Wakama</author>
<author pid="65/7251">Naoyuki Totani</author>
<author pid="28/2866">Yuichi Sato</author>
<title>First Person Shooters as Collaborative Multiprocess Instruments.</title>
<pages>44-47</pages>
<year>2011</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.5281/zenodo.1177961</ee>
<crossref>conf/nime/2011</crossref>
<url>db/conf/nime/nime2011.html#BerthautKWTS11</url>
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<r><phdthesis key="phd/hal/Berthaut10" mdate="2021-01-21">
<author orcid="0000-0002-1273-0073" pid="39/9399">Florent Berthaut</author>
<title>Construction, manipulation et visualisation de processus sonores dans des environnements virtuels immersifs pour la performance musicale.</title>
<year>2010</year>
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<ee type="oa">https://tel.archives-ouvertes.fr/tel-00573382</ee>
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<r><inproceedings key="conf/3dui/BerthautHD10" mdate="2023-03-24">
<author pid="39/9399">Florent Berthaut</author>
<author pid="41/6185">Martin Hachet</author>
<author pid="41/4845">Myriam Desainte-Catherine</author>
<title>Piivert: Percussion-based interaction for immersive virtual environments.</title>
<pages>15-18</pages>
<year>2010</year>
<booktitle>3DUI</booktitle>
<ee>https://doi.org/10.1109/3DUI.2010.5444728</ee>
<ee>https://doi.ieeecomputersociety.org/10.1109/3DUI.2010.5444728</ee>
<crossref>conf/3dui/2010</crossref>
<url>db/conf/3dui/3dui2010.html#BerthautHD10</url>
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<r><inproceedings key="conf/icmc/BerthautDH10" mdate="2022-05-04">
<author pid="39/9399">Florent Berthaut</author>
<author pid="41/4845">Myriam Desainte-Catherine</author>
<author pid="41/6185">Martin Hachet</author>
<title>Combining Audiovisual Mappings For 3D Musical Interaction.</title>
<year>2010</year>
<booktitle>ICMC</booktitle>
<ee type="oa">https://hdl.handle.net/2027/spo.bbp2372.2010.072</ee>
<crossref>conf/icmc/2010</crossref>
<url>db/conf/icmc/icmc2010.html#BerthautDH10</url>
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<r><inproceedings key="conf/nime/BerthautDH10" mdate="2023-04-04">
<author pid="39/9399">Florent Berthaut</author>
<author pid="41/4845">Myriam Desainte-Catherine</author>
<author pid="41/6185">Martin Hachet</author>
<title>DRILE: An Immersive Environment for Hierarchical Live-Looping.</title>
<pages>192-197</pages>
<year>2010</year>
<booktitle>NIME</booktitle>
<ee type="oa">https://doi.org/10.5281/zenodo.1177721</ee>
<crossref>conf/nime/2010</crossref>
<url>db/conf/nime/nime2010.html#BerthautDH10</url>
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<r><inproceedings key="conf/egve/HachetKBFD09" mdate="2017-05-23">
<author pid="41/6185">Martin Hachet</author>
<author pid="44/9399">Arash Kian</author>
<author pid="39/9399">Florent Berthaut</author>
<author pid="67/49">Jean-S&#233;bastien Franco</author>
<author pid="41/4845">Myriam Desainte-Catherine</author>
<title>Opportunistic Music.</title>
<pages>45-51</pages>
<year>2009</year>
<booktitle>EGVE/ICAT/EuroVR</booktitle>
<ee>https://doi.org/10.2312/EGVE/JVRC09/045-051</ee>
<crossref>conf/egve/2009</crossref>
<url>db/conf/egve/egve2009.html#HachetKBFD09</url>
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