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Second Hand 1998 Gibson Les Paul Standard 1958 Custom Shop Art & Historic Reissue R8 in Iced Tea Burst W/ Gibson Custom shop hard case Up for grabs is this beautiful rare Custom Shop R8 Les Paul from 1998 which is considered the highly desirable "Good Wood Era". Featuring a premium, lightweight mahogany body with a stunning Figured Maple top with a deep, vintage-correct "Iced Tea" burst. a thick '58 neck profile, Nashville style bridge and a set of 57 Custom Shop Classic Alnico 2 humbuckers. The control harness has been replaced with Dimarzio CTS volume and tone pots and vintage spec caps and wiring. A part from that everything else is stock. For a guitar that is 28 years old this is in MINT condition, not a single dent or scratch, just some minor checking on the blinding and top but in all the right places. This is 100% a collector grade guitar and something you don't see every day. Specs Body: 1-piece mahogany back with a 2-piece maple top (often flamed despite being a '58 reissue). Neck: 1-piece mahogany with a chunky "C" profile. Fingerboard: Rosewood with a 12" radius and cellulose trapezoid inlays. Pickups: Gibson '57 Classic Humbuckers. Hardware: Nickel-plated ABR-1 bridge and lightweight aluminum stop bar tailpiece. Electronics: 2 Volume, 2 Tone, 3-way switch. Finish: Nitrocellulose lacquer. Weight: Typically ranges between 8.8 lbs and 9.2 lbs (approx. 3.9 kg - 4.2 kg).

Second Hand 1998 Gibson Les Paul Standard 1958 Custom Shop Art & Historic Reissue R8 in Iced Tea Burst

The Electronic Audio Experiments Greathammer is a bass-focused overdrive that brings a distinct flavour of solid state thunder. With a gain control spanning a 50dB range, the Greathammer can be restrained or rowdy. We took cues from a beloved 1970s Canadian bass amplifier, but we did not shy away from redesigning entire circuit blocks from scratch. Without taking away the classic piano-like attack that defined 90s noise rock, we expanded the tonal range to suit more tasteful playing or filthy, down-tuned mayhem. Critically, our circuit can achieve far deeper low frequency extension than its progenitors—all without the unnatural, disconnected feel of a traditional clean blend. The Greathammer is equally effective in front of an amplifier or as a dedicated preamp. And, while we designed this with bass as a primary focus, it is quite striking on guitar as well. Electrical Specifications Bypass switching: Silent electronic switching with a high-headroom op amp buffer Input impedance @ 1Khz: 1MΩ Output impedance @ 1Khz: <1KΩ Power: 9VDC, 2.1mm center negative barrel. The current draw is 70mA. We recommend a regulated, isolated power supply rated for 100 mA minimum. The DC input is protected against reverse polarity and over-voltage up to 20V. Our pedals do not accept batteries. Controls Level: overall volume level, capable of extremely high output Gain: signal gain, from clean to moderate to extreme. Approximately 50dB maximum passband gain. Bass: post-clipping low frequency shelf boost, up to +14db at 100Hz and below Attack: pre-gain tone control, adjusts frequencies above 1kHz to tailors the overall drive response and sharpness of pick attack Notch (toggle): 3-position mid cut. Center is a full mid cut, down is a moderate mid cut, and up is flat mids.

Electronic Audio Experiments Greathammer

Parting is a box of pleasant surprises. Moments of chance will give bursts of a glitch delay that can smear into a reverb, modulated by tremolo or vibrato, filtered, and, most importantly, dissolved into lofi aliasing or stretched out reverse. All of this may jump around in halves and octaves of itself - it’s up to you and Parting, together. Controls Dissolve has two functions. Below noon, it reduces sample rate, creating an increasingly degraded version of the signal. Above noon, it reverses the signal, and repeatedly cuts the reverse clock in half as the knob is turned, creating an increasingly long and degraded reverse. Rate sets the rate of the modulation LFO, which is also the frequency of triggers for moments of chance. Depth sets the depth of the LFO. Shape sets the LFO shape: Sine, Square, Reverse Saw, Saw, Random Sine, Random Square, Envelope Chance allows random bits of signal to enter the delay/reverb buffer during an LFO cycle. Smear adds diffusion and feedback to the delay lines, turning them into a lush reverb as the knob is turned up. Glitch creates various clock subdivisions. Time sets the timing of the delay/reverb, as well as the reverse. Filter sets the cutoff point of the post-dissolve filter. Mix sets the blend of dry and wet signal. Aux switch for tap tempo, half speed, or preset switching. Soft-touch On/Off footswitch with relay switching for minimal switch noise

Old Blood Noise Endeavours Parting - Purple

THIS PRODUCT IS ON PREORDER - Expecting stock mid-March and we will ship as soon as they arrive! The Royalist Tube Preamp Pedal captures the soul of Tone King’s beloved Royalist MKIII amplifier - the company’s most authentic take on the golden age of British tone. From the sweet, singing JTM45, through the unmistakable Plexi crunch, to the searing drive of the Super Lead, this high-voltage tri-tube preamp pedal delivers the full spectrum of British rock attitude in a compact, pedalboard-friendly format. Running on three 12AX7 tubes at proper high voltages, the Royalist Preamp brings the complete touch sensitivity, harmonic bloom, and dynamic punch of the Royalist MKIII amp to your pedalboard. Each of its two independent channels features the amp’s FAT switch and three-way 1964/1967/1970 voicing selector, faithfully reproducing the gain structure, tone stack, and feel of the original circuits. Whether you’re chasing sparkling cleans, punchy crunch, or molten roar, the Royalist Preamp delivers the unmistakable voice of British rock, anywhere, at any volume. Three Eras of Iconic British Tone Each channel of the Royalist Preamp offers its own three-position voicing switch, mirroring the evolution of the British amp sound across decades: 1964 - Smooth top end, lower gain, and a balanced, vintage warmth inspired by early British blues amps. 1967 - Crisp treble response, bold midrange, and the aggressive bite that defined rock’s formative years. 1970 - Increased gain and tightness for that unmistakable, high-energy crunch of arena-ready hard rock. Pair these voicings with each channel’s FAT switch option to add body and low-end warmth to single-coil guitars or enhance sustain and punch with humbuckers. Era Accurate Tone Stacks The Royalist features two identical channels, each voiced with its own distinct tone stack. The top channel uses a vintage-accurate JTM45 / Bassman / Super Bass inspired EQ. The bottom channel reflects a later-era British Lead tone stack. While the two channels can be dialed remarkably close, their subtle differences give players two authentic British flavors—one tight and articulate, the other more mid forward. Built-In Zero Watt Power Amp — Phase Inverter The Royalist Preamp includes Tone King’s “Zero Watt Power Amp,” a genuine phase inverter circuit powered by one of its three 12AX7 tubes. This design captures the Royalist’s harmonic depth and dynamic interaction between preamp and power stage — a key ingredient of true British tone that most preamp pedals can’t replicate. The result is the full experience of an overdriven Royalist power section, without the ear-splitting volume. Impulse Response (IR) Cabinet & Power Amp Sim The Royalist Preamp Pedal features Tone King’s low-latency IR and power amp simulation engine, offering direct output to FOH, recording interfaces, or headphones with stunning realism. Preloaded with a curated selection of OwnHammer IRs listed below, each channel includes a 3-way IR selector for instant tonal changes. OH 412 Pinstripe H25: Celestion G12H-25's from 1967 captured in a pinstripe 1982B 4x12 cabinet by Kevin Rowe of OwnHammer using Shure SM57, Telefunken MD421, and Royer 121 microphones through mid-late 1970's API 312 preamps. OH 112 Imperial TK1660: Tone King 1660 captured in a Tone King Imperial 1x12 combo by Kevin Rowe of OwnHammer using Shure SM57, Neumann U87, and Royer 121 microphones through mid-late 1970's API 312 preamps. OH 412 M75BB: 16-ohm, 1777 cone Celestion "black back" G12M-75's from 1975 captured in a 412 cabinet by Kevin Rowe of OwnHammer using Shure SM57 and Sennheiser MD421 microphones through mid-late 1970's API 312 preamps. There are 20 IRs to choose from in the included Tone King Editor software (powered by Synergy) which are easy to swap in and out of the pedal's six available slots. You can also disengage the onboard IR loader entirely to use the preamp with an external IR loader or powered cabinet. Tone King Editor Software - Deep Control, Modern Flexibility The included Tone King Editor software unlocks deep editing capabilities for digital parameters. Save and recall up to 128 presets via MIDI, assign IRs per channel, fine-tune HF and LP filters, and configure reverb, or FX loop assignments — all in one intuitive interface. Savable Parameters Channel switching and bypass states Easily load your own IRs and manage your IR library IR bypass and power amp simulation options HF Comp and Low-Pass filters Access all 15 included OwnHammer IRs Assign any of your IRs to the pedal's six available slots (three per channel) Reverb, reverb tails, and effects loop bypass routing Save these settings to up to 128 presets for instant recall via MIDI Expanding Your Rig The Royalist Preamp Pedal is equally at home on stage, in the studio, or integrated with your favourite amp. Add Channels to Your Amp: Use the 3-cable method with any amp that has a series effects loop to instantly add two channels of British tube tone to your existing rig. Combine with Other Preamps: Link multiple effects-loop-equipped preamp pedals to build an ultimate hybrid system. Assign the Royalist’s IRs and power amp emulation to other preamps, or route its reactive output into a separate power amp and cabinet for the real-air experience. The Sound of British Heritage, Reborn for the Modern Player From the club stages of the ‘60s to the arenas of the ‘70s, the sound of British rock has defined generations of guitar tone. Now, with the Royalist Tube Preamp Pedal, that legacy lives on — delivering the roar, chime, and harmonic richness of those legendary amplifiers in a compact, high-voltage, pedalboard-ready design. FEATURES Two Channel High-Voltage preamp – DI 3 x 12AX7 preamp tubes running at proper high voltages Built-In zero-watt power amp - phase inverter circuit Two Independent channels with Volume, Bass, Middle and Treble Control Three-way 1964/1967/1970 voicing switch per channel Era Accurate Tone Stacks: Top channel - Vintage-accurate JTM45 / Bassman / Super Bass inspired EQ. Bottom channel - Reflects a later-era British Lead tone stack. Dual built-in Iron Man attenuators Reverb control (assignable to each channel) Stereo, Series FX loop (bypassable) MIDI programmable - Save up to 128 presets for instant recall via an external MIDI switcher Low-latency onboard Impulse Response cabinet simulation (bypassable) SPECS Connections: Dual stereo balanced XLR outputs with Ground Lift Switch ¼" Headphone output Effects Send and Stereo Return Jacks MIDI 5-pin standard connector USB-C connector for use with the included Tone King Editor software editor To Amp In, From Amp Send and From Amp Return Jacks – for adding Imperial channels to your amp or preamp Included 6’ USB Cable Universal 12V Power Supply Dimensions: 7.2” (W) x 5.7” (D) x 2.75” (H) Weight: 1.9 lbs

TONE KING ROYALIST TUBE PREAMP PEDAL - PRE ORDER!

A Celebration of Iconic British and American Amp Tones. A Milestone in Tone The Golden Jubilee is Brian Wampler's take on those fire-breathing amps that defined the sound of the 80s. This pedal captures the thick, harmonically rich tones of American boutique amps and combines them with the raw, aggressive power of British high-gain monsters. It's compact enough to fit on any pedalboard, but when you plug in, it delivers the presence of a full stack - without the herniated disc from hauling it around. This is a workhorse pedal built to survive the real world and keep delivering night after night. It's your complete gain solution: crushing rhythm tones, singing leads, and that extra boost for solos - all in one pedal. No complicated switching or tap-dancing required. The gold-anodized controls against that forest green sparkle finish aren't just for looks - they're a statement that this pedal is as bold as it sounds. Two Legends, One Box The Golden Jubilee brings together two of Brian Wampler’s favorite amp voices in a single dual-footswitch pedal. The Distortion (DS) channel captures the smooth, articulate punch of those mid 80s high-end California boutique amps, keeping your notes clear even when you’re running heavy gain. It responds fast to your bends and phrasing, and gets you into pinch-harmonic territory without any fight. The Overdrive (OD) channel delivers that saturated, muscular British crunch that’s all over the records you love. It’s built to bloom into rich harmonics and absolutely crushes rhythm work, giving you that tight, percussive chug that players are always chasing when they’re hammering out palm-muted riffs. Stack both channels together and the Golden Jubilee gives you a massive, exceptionally full tone - perfect for high-energy solos, fast shred runs, and smooth, fusion-style legato playing. Total Control The Golden Jubilee was developed to function as a practical dual-drive platform in a single compact footprint, giving players direct control over two independent gain stages. Each channel operates with its own level, gain, and tone controls, making it easy to shape the signal without menu diving or guesswork. Three central toggles provide additional fine-tuning: two character switches that adjust the gain profile on the OD channel and the brightness of the DS channel, and an order switch that changes the stacking sequence of the drives. Gain and Versatility When you start dialing it in, the Golden Jubilee shows you what it can really do. Maybe you begin with a warm, responsive overdrive - something expressive and alive. Then, with a quick turn of a knob, it transforms into a modern high-gain monster with musical clarity. Where other pedals lose definition and top-end sizzle, this one stays articulate without sounding wispy. Where many go thin and weak, it stays full and thick without ever getting muddy. Your lead lines cut through with edge, your riffs hit with serious weight, and your rhythm playing stays tight and punchy. From classic rock grit to full-on face-melting distortion, the Golden Jubilee handles multiple genres with clarity and power. Built for Any Rig No matter what rig you plug into, the pedal behaves like it was built for it. Into a clean tube amp, it roars with authentic richness; through a solid-state platform, it delivers tonality that feels startlingly realistic; in digital setups, it adds life, warmth, and dimension. Studio players will adore it for consistency, touring musicians on its practicality and build quality, and home players will appreciate how it delivers fire for even the simplest setup. Whatever the situation, it has a way of making your entire rig feel bigger, fuller, and more expressive. Real amp tones and feel, crafted with precision At its core the Golden Jubilee is a celebration of severely awesome guitar tones. What began as a personal milestone evolved into a defining piece of the Wampler story. It captures the essence of two classic amplifier styles from the annals of musical history - and hands you total control over both. This pedal is for players chasing a palette of signature gain tones with character that feels alive and inspired. As with every Wampler pedal, The Golden Jubilee is built in the U.S.A. using only the highest-quality components. Every detail has been designed to ensure superior sound, reliability, and performance. Technical Details • Built in the U.S.A. • High-grade components selected for superior sound and response • Premium evergreen sparkle finish and gold anodized hardware • 2 Channels - Distortion (DS) and Overdrive (OD) • Independent Tone, Level and Gain controls • Character switch on each channel controls Gain (OD) and Brightness (DS) • Channel switch to flip stacking order of channels • Includes limited 5-year warranty • Power Draw 30mA at 9V DC and 30mA at 18V DC, do not exceed 18V DC • Dimensions: 2.5” x 4.8” x 2.3” (64mm x 125mm x 60mm)

Wampler GOLDEN JUBILEE

A ThorpyFx/Lazy J collaboration "THE J" This is the second a pedal in our Analog Amp Emulator Series. I've wanted to collaborate with Jesse for as long as I can remember, more than anything because it’s amazing what you can achieve when you get to work with very cool people. You always end up with something that is greater than the sum of its parts. The J is a tone multiplier for your board, a tweed “tour de force” designed to give you those complex Lazy J20 sounds in a pedal format. We don’t describe this as amp in a box, because its more than that, it feels like the amp you are playing, it responds in the same manner and ultimately rewards the guitarist in the same way. Fitted with a high-quality transformer, the pedal reacts to your playing and distorts like a full-size amplifier and to top it off we have designed the J so you can choose your input tube 12AX7 vs 12AY7, for dirtier vs cleaner tones. The J as an Analog amp emulator can work fantastically well with your existing amp, your existing pedals and it integrates easily into your current rig, its designed to sit before a clean or relatively clean amp if you want maximum tweed accuracy, if you need your own thing then mixing it with a slightly overdriven amp will take you to awesome places too. You can use it to create classic vintage amp sounds or craft your own sound. Tested worldwide during its development on the biggest of stages, you can be confident the J will deliver for you. Check out the videos below if you'd like to hear it in action. To ensure consistency, reliability, low noise and tonal supremacy the J is made with extremely high quality components. 1% metal film resistors, WIMA and Panasonic capacitors where possible and robust through hole gold plated PCB’S. In short, all of this means you won’t have to worry about your pedal and it should give you many years of inspiring tonal bliss. Size: (W)100mm x(L)125mm x(H)53mm (top of Knobs) Current Draw - 50mA

Thorpy THE J - LAZY J x ThorpyFx Collaboration

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