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The Barbara Hammer Estate maintains digital archives documenting the filmmaker's four-decade career in experimental cinema, with particular focus on her investigations of medical imagery, corporeal themes, and avant-garde visual techniques. The estate collaborates with major museums and cinematheques to present Hammer's work, including the 2023 Art Institute of Chicago exhibition "Barbara Hammer: Sanctus" featuring her 1990 film incorporating repurposed 1930s X-ray footage. The digital repository houses materials related to institutional retrospectives, curatorial research, and academic scholarship. The archive contextualizes Hammer's contributions to experimental film practice through documentation of her technical innovations in 16mm filmmaking, her role in developing queer cinema language, and her feminist critique of medical authority. Primary source materials trace her connections to cyberfeminist networks, media art communities, and activist movements from the 1970s through 2010s. The collection emphasizes Hammer's methodological approaches to appropriating and reframing institutional imagery. Archival holdings support research access for film scholars, contemporary artists, and cultural institutions studying Hammer's experimental techniques and theoretical frameworks. The estate facilitates academic and curatorial projects examining her influence on avant-garde film history, queer visual culture, and feminist media practice. Collection materials document her engagement with themes of embodiment, medical documentation, and institutional power structures.