@postgenre

Support our site through Patreon

Piecing Together the Cracked Fragments: A Conversation with Bill Orcutt

Review: Michael Formanek’s ‘New Digs’

Review: Mark Turner’s ‘Patternmaster’

Electrical Field of Love: A Conversation with Harriet Tubman (Brandon Ross, Melvin Gibbs, J.T. Lewis) and Georgia Anne Muldrow (Part Two)

Electrical Field of Love: A Conversation with Harriet Tubman (Brandon Ross, Melvin Gibbs, J.T. Lewis) and Georgia Anne Muldrow (Part One)

Review: Willy Rodriguez’s ‘In the Unknown (I Will Find You)’

Review: Ben Wendel’s ‘BaRcoDe’

Review: ‘Daggerboard: The Skipper and Mike Clark’

Taking the Journey: A Conversation with Shabaka on ‘Of the Earth’

Review: Edward Simon’s ‘Venezuela: Latin American Songbook Vol. 2’

Holding On: A Conversation with Bill Frisell on ‘In My Dreams’

Review: ‘The Setting’

Review: Ben Rosenblum Nebula Project’s ‘The Longest Way Round’

Review: Corcoran Holt’s ‘Freedom of Art’

Transcending: A Conversation with Sam Morrison and Bill Laswell on ‘Cosmic Trip’

Embracing the Grittiness: A Conversation with Steph Richards and Qasim Naqvi on ‘Talk Show’

Review: Brandon Seabrook’s ‘Hellbent Daydream’

Review: ‘Deface the Currency’ by The Messthetics and James Brandon Lewis

Review: Shawn Lovato’s ‘Biotic’

Intervention and Observation: A Conversation with Mariel Roberts Musa on ‘Sunder’

Review: Dave Douglas’s ‘Four Freedoms’

Review: Tigran Hamasyan’s ‘Manifeste’

Considering the Composer’s Black Box: A Conversation with Ted Gordon

Review: Julian Lage Quartet’s ‘Scenes from Above’

Echoes of Chickadee Valley: A Conversation with Christopher Hoffman on ‘Rex’

Review: John Ellis and Doublewide’s ‘Fireball’

Finding Cues: A Conversation with Elias Stemeseder on ‘Studies in Prolation, for S-L plus Ensemble’

Review: Craig Taborn’s ‘Dream Archives’

The 20th Annual Francis Davis Jazz Critics Poll: The Institution Continues - The Arts Fuse

Encuesta 2025 – Periodistas Internacionales - El Intruso

Crossroads: A Conversation with Either/Orchestra’s Russ Gershon on Èthiopiques and Nerses Nalbandian

Review: Kris Davis and the Lutosławski Quartet’s ‘The Solastalgia Suite’

Quest for Magic: A Conversation with Paul Winter on Earth Music and ‘Horn of Plenty’

Evolution of Seeds: A Conversation with Peter Evans on ‘Ars Ludicra’

Music as Movement: A Lost Conversation with Marilyn Mazur

The Cellar Door Sessions at Fifty-Five: December 17, 1970

The Cellar Door Sessions at Fifty-Five: December 16, 1970

The Cellar Door Sessions at Fifty-Five: An Introduction

EIC Rob Shepherd’s Favorite Albums of 2025

PostGenre’s Best of 2025

Review: Jerome Sabbagh’s ‘Stand Up!’

Living Proof of the Same Cell: A Conversation with Lucian Ban and Mat Maneri on ‘Cantica Profana’ and ‘The Athenaeum Concert’

Review: Bill Ware and the Club Bird All Stars’ ‘Martian Sunset’

Review: John O’Gallagher’s ‘Ancestral’

Review: Simón Willson’s ‘Feel Love’

Review: John Scofield and Dave Holland’s ‘Memories of Home’

The Willpower of Notes: A Conversation with Eyvind Kang on ‘Riparian’

Review: Billy Hart’s ‘Multidirectional’

Review: Lina Allemano’s ‘The Diptychs’

Review: Mark Turner’s ‘Reflections on: The Auto-Biography of an Ex-Colored Man’

Review: Thomas Morgan’s ‘Around You is a Forest’

La Belle Ville: A Conversation with David Binney and Tommy Crane on ‘The Isle’

Review: Chad Taylor’s ‘Smoke Shifter’

Review: Pat Thomas’ ‘Hikmah’

Review: For Living Lovers’ ‘Natural Name’

Touching the Purple Haze: A Conversation with Stanley Jordan on Reimagining Jimi Hendrix

Review: Bob Schlesinger’s ‘Falling From Earth’

Review: Jakob Bro’s ‘Murasaki’ and ‘The Montclair Sessions’

Looking to the Cosmos: A Conversation with Patricia Brennan on ‘Of the Near and Far’ (Part Two)

Looking to the Cosmos: A Conversation with Patricia Brennan on ‘Of the Near and Far’ (Part One)

Review: Armen Donelian’s ‘Stargazer’

Jazz Detective Zev Feldman Begins Yet Another Journey with New Imprint, Time Traveler Recordings, and Resurrecting Three Largely Forgotten Gems from the Muse Records Catalog

Review: Phil Haynes & Free Country’s ‘Liberty Now!’

Review: Sarah Elizabeth Charles’s ‘Dawn’

Review: Donny McCaslin’s ‘Lullaby for the Lost’

Musical Tether: A Conversation with Sonya Belaya on ‘Dacha’

Review: Sarah Elizabeth Charles’s ‘Dawn’

Review: Donny McCaslin’s ‘Lullaby for the Lost’

Review: Mike Clark’s ‘Itai Doshin’

Beyond Category: How Three Mus… - The Buzz: The JJA Podcast

Honoring the Feeling: A Conversation with Mocean Worker (Adam Dorn) and Joe Alterman on ‘Keep the Line Open’

Review: Noah Garabedian’s ‘Quartets and Solos’

Review: ‘Trio of Bloom’ with Nels Cline, Craig Taborn, and Marcus Gilmore

Review: Henry Threadgill’s ‘Listen Ship’

Review: Carmen Staaf’s ‘Sounding Line’

Hearing the Future: A Conversation with Gary Bartz

Review: Gary Bartz’s ‘The Eternal Tenure of Sound: Damage Control’

Review: Charlie Rouse’s ‘Cinnamon Flower: The Expanded Edition’

Review: Patricia Brennan’s ‘Of the Near and Far’

Review: Shuteen Erdenebaatar and Nils Kugelmann’s ‘Under the Same Stars’

Review: Nicole Zuraitis’ ‘Live at Vic’s Las Vegas’

Review: Dave Douglas’ ‘Alloy’

Folklore: A Conversation with Ben Lamar Gay

Review: ‘George Coleman with Strings’

Review: Lucian Ban, Mat Maneri, and John Surman’s ‘Cantica Profana – The Béla Bartók Field Recordings’

Review: Caelan Cardello’s ‘Chapter One’

Hanging in the Clouds: A Conversation with Rob Mazurek and Chad Taylor on Chicago Underground Duo

Review: Jacob Garchik’s ‘Ye Olde 2: At The End of Time’

Review: Linda May Han Oh’s ‘Strange Heavens’

Review: Aruán Ortiz’s ‘Créole Renaissance’

Review: Eric Alexander and Vincent Herring’s ‘Split Decision’

Flower in the Heart: A Conversation with Zoh Amba

Review: Adegoke Steve Colson and Iqua Colson’s ‘GLOW: Music for Trio …. Add Voice’

Review: Josh Lawrence’s ‘Still We Dream’

Review: Nicole Glover’s ‘Memories, Dreams, Reflections’

Review: Jon Irabagon PlainsPeek’s ‘Someone to Someone’

Bringing Back the Heartbeat: A Conversation with Theon Cross

Review: Ron Blake’s ‘SCRATCH Band’ - PostGenre

Keeping the Tradition Contemporary: Christian McBride on his Big Band and the 2025 Newport Jazz Festival

Review: Rachael & Vilray‘s ‘West of Broadway’

Touching the Continuum: Sebastian Rios Previews New Jazz Underground at Newport - PostGenre

Review: Jimmy Greene’s ‘As We Are Now’ - PostGenre

Flying to a New Land: Patrick Patterson and Steve Scipio Preview Cymande at the 2025 Newport Jazz Festival m

Past, Present, and Future: Day Two of the 2024 Newport Jazz Festival

Enchanted: Marcus Gilmore on Honoring Roy Haynes at Newport and Journeying to the New

Taking the Journey: Rich Ruth Previews his 2025 Newport Jazz Festival Performance

The Annual Francis Davis Jazz Critics Poll -- Sharing What We Know at Mid-Year - The Arts Fuse

Feeling the Spirit: A Conversation with Tim Carman, Jimmy James, and Adam Scone on Parlor Greens at Newport

Odyssey: Nubya Garcia Previews her 2025 Newport Jazz Festival Performance l

Review: Etienne Charles’ ‘Gullah Roots’

Always Listening: A Conversation with Deborah Ross, Executive Director of the Joyce and George Wein Foundation -

Migration of Knowledge: A Conversation with Gaia Wilmer and Ra Kalam Bob Moses

Review: Itai Kriss’s ‘Daybreak’

Review: James Brandon Lewis Quartet’s ‘Abstraction Is Deliverance’

Review: Julian “J3PO” Pollack’s ‘Soul & Circuitry’

Review: Amina Claudine Myers’ ‘Solace of the Mind’

For Those Who Need to Hear It: A Conversation with Chris Weller on Hanging Hearts

Review: Joshua Redman’s ‘Words Fall Short’

Review: Matthew Shipp’s ‘The Cosmic Piano’

Review: Ivo Perelman and the Matthew Shipp String Trio’s ‘Armageddon Flower’

Trusting Fate: A Conversation with Brandee Younger

Letting the Spirit In: A Conversation with Amina Claudine Myers on ‘Solace of the Mind’

Past, Present, and Future: Day One of the 2024 Newport Jazz Festival

Review: Isaiah J. Thompson’s ‘The Book of Isaiah: Modern Jazz Ministry’

Giving Up Control: A Conversation with Ivo Perelman and Matthew Shipp on ‘Armageddon Flower’ (Part Two)

Giving Up Control: A Conversation with Ivo Perelman and Matthew Shipp on ‘Armageddon Flower’ (Part One)

Review: Ches Smith’s ‘Clone Row’

Fighting the Algorithm: A Conversation with Ken Vandermark on his No Idea Festival Residency

Resonances: A Conversation with DM Hotep on Marshall Allen’s Ghost Horizons

Trying to Be Free: A Conversation with Curtis Hasselbring

To Be Beyond: A Conversation with Tisziji Muñoz and Paul Shaffer on ‘Quantum Blues’

Stretching the DNA: A Conversation with Amir ElSaffar and Lorenzo Bianchi Hoesch on ‘Inner Spaces’

Review: ‘Quantum Blues’

Trust: A Conversation with Sylvie Courvoisier and Mary Halvorson - PostGenre

Fear, Resilience, and Reflection: A Conversation with Adam O’Farrill on ‘For These Streets’

Review: Nels Cline’s ‘Consentrik Quartet’ - PostGenre

Musical Tourism on the Edges – Big Ears 2025

Finding a Universal Consciousness: A Conversation with Ambrose Akinmusire

Dealing in Ideas: A Conversation with Seymour Wright on أحمد [Ahmed]

Transient Luminous Event: A Conversation with Dougie Bowne

Outside the Academy: A Conversation with Jeff Parker on the ETA IVtet

Slipping into Something: A Conversation with Nels Cline on the Consentrik Quartet

Steve Coleman: A Man of Many Turns

SPACE: A Conversation with Roscoe Mitchell

Uncovering Forgotten Bridges: A Conversation with Ghazi Faisal Al-Mulaifi and Arturo O’Farrill

Under the Influence of Music: A Conversation with George Porter, Jr. (Part Two)

Under the Influence of Music: A Conversation with George Porter, Jr. (Part One)

Unfolding: A Conversation with Lesley Mok and Phillip Golub on Dream Brigade

Front-Row Seat: A Conversation with Jason Miles

Subliminal Input: A Conversation with Jon Irabagon on ‘Server Farm’

Bloom: A Conversation with Ellen Fullman and Theresa Wong

Protecting the History: A Conversation with Ebo Taylor

Review: Michel Petrucciani’s ‘Jazz Club Montmartre – CPH 1988’

Sound Navigation: A Conversation with Ava Mendoza on ‘The Circular Train’

The 19th Annual Francis Davis Jazz Poll: The Shape of Jazz That Keeps Us Going - The Arts Fuse

Always There: A Conversation with George Burton

Anthony Dean-Harris’ Favorite Albums of 2024

Rob Shepherd’s Favorite Albums of 2024

Going Beyond What We Know: A Conversation with Evan Parker and Matt Wright on Trance Map

PostGenre’s Best of 2024

Dream House: A Conversation with Kalia Vandever

Normal Give or Take: A Conversation with Fred Frith (Part Two)

Normal Give or Take: A Conversation with Fred Frith (Part One)

Keeping the Flame: A Conversation with Archival King Zev Feldman - PostGenre

Slicing through Silence: A Conversation with Jessica Pavone

Beautiful Imperfections: A Conversation with Aaron Parks on ‘Little Big III’

Jazz Master: A Conversation with Terry Gibbs (Part One)

Infinite Possibility: A Conversation with Nate Mercereau on ‘Excellent Traveler’

Quilting Sound: A Conversation with Travis Laplante on ‘The Golden Lock’

Drawing Energy from the Silence: A Conversation with Jason Kao Hwang on ‘Soliloquies’

Most Like Myself: A Conversation with Brian Marsella on the iMAGiNARiUM

Spirit Walking: A Conversation with Luke Stewart

Natural Sounds: A Conversation with Ellen Reid on ‘Big Majestic’

No Isolation: A Conversation with Dave Holland (Part Two)

No Isolation: A Conversation with Dave Holland (Part One)

Finding the Common Denominators: A Conversation with Patricia Brennan on ‘Breaking Stretch’

Thread of Humanity: A Conversation with Lucian Ban and Mat Maneri on ‘Transylvanian Dance’

Laboratory: A Conversation with Danilo Pérez and John Patitucci on the Legacy of Wayne Shorter

Review: Milton Nascimento and esperanza spalding’s ‘Milton + esperanza’

Collision and Coexistence: A Conversation with Nicole Mitchell on ‘Bamako*Chicago Sound System’

Tradition Fuels the Future: A Conversation with Artistic Director Christian McBride on the Newport Jazz Festival at Seventy

Jazz Feature: Diversity Brings Riches -- A Mid-Year Jazz Critics Poll - The Arts Fuse

Room For It All: Braxton Cook Previews ‘Newport at 70’

Forever: Stanley Clarke Previews N•4EVER’s Performance at the 2024 Newport Jazz Festival (Part Two)

Forever: Stanley Clarke Previews N•4EVER’s Performance at the 2024 Newport Jazz Festival (Part One)

Fearless: A Conversation with Donny McCaslin on David Bowie, Elvis Costello, and the Newport Jazz Festival

Trumpet Evolution: Riley Mulherkar Previews his 2024 Newport Jazz Festival Leader Debut

Truly Magical Place: Jaleel Shaw Previews his 2024 Newport Jazz Festival Leader Debut

Prepared Piano with a Brazilian Identity: Amaro Freitas Previews his 2024 Newport Jazz Performance

At Heart: A Conversation with Fred Wesley on his Incredible Career and a Preview of his 2024 Newport Jazz Festival Performance

In Its Own Backyard: A Conversation with Newport Festivals’ Music Education Manager Leland Baker on his Role and SUNDAY JAZZ

Bringing Together: Rob Garza Previews Thievery Corporation’s 2024 Newport Jazz Festival Performance

Melting Pot of Old and Young: A Conversation with Newport Jazz Festival Security’s Ron Cudworth

Engagement: A Conversation with Lakecia Benjamin on ‘Phoenix Reimagined (Live)’

Vessel: A Conversation with Deron Johnson on Miles Davis and ‘Free to Dance’

Weaving: A Conversation with Janel Leppin

Observations form Day Three of the 2023 Newport Jazz Festival - PostGenre

Saving the Duck: A Conversation with Alfredo Colòn on ‘Blood Burden’

Double Bill : A Conversation with Bill Frisell and Bill Morrison

Observations from Day Two of the 2023 Newport Jazz Festival

Freeing the Lion: A Conversation with James Blood Ulmer on Harmolodics and the Black Rock Trio

Channel to the Future: A Conversation with Elliott Sharp on ‘Die Grösste Fuge’

Bringing the Instrumental Back: A Conversation with Molly Miller on ‘The Ballad of Hotspur’

Physical Expression: A Conversation with Steph Richards on ‘Power Vibe’

Constructing Sound: A Conversation with Tomeka Reid on ‘3+3’

Spontaneous Combustion: A Conversation with Chloë Sobek and Tim Berne on ‘Burning Up’

Pass Everything in My Soul: A Conversation with David Murray on ‘Francesca’

Filter: A Conversation with Isaiah Collier on ‘The Almighty’

The Journey: A Conversation with Kenny Garrett on ‘Who Killed AI?’

Virtues of Melody: A Conversation with Alan Braufman on ‘Infinite Love Infinite Tears’

Electric Connection: A Conversation with gabby fluke-mogul on ‘GUT’

Tranquility and Rest to the Mind: Conversations with Wadada Leo Smith and Amina Claudine Myers on ‘Central Park’s Mosaics of Reservoir, Lake, Paths and Gardens’

Intervalic Awakening: A Conversation with Modney on ‘Ascending Primes’

Solo? : A Conversation with Josh Johnson on ‘Unusual Object’

Reflections : A Conversation with Karriem Riggins on Jahari Massamba Unit’s ‘YHWH is Love’

Pushing Off: A Conversation with Christopher Hoffman on ‘Vision is the Identity’

Watchtower: A Conversation with Dezron Douglas

Traveling the Sound World : A Conversation with Brandon Ross on Phantom Station

Collaborative High Intensity : A Conversation with Anthony Pirog on ‘The Messthetics and James Brandon Lewis’

Easier to See from the Outside: A Conversation with John Lurie

Moving by Breath: A Conversation with David Leon on ‘Bird’s Eye’

Translating the Language: A Conversation with Lenny White (Part Two)

Translating the Language: A Conversation with Lenny White (Part One)

Review: ‘Triple Fever’

“If You’re Not Still Learning, You’re Still”: A Conversation with Kahil El’Zabar on the Ethnic Heritage Ensemble at Fifty - PostGenre

Past, Present, and Future: A Conversation with Chief Xian aTunde Adjuah, Chieftain of the Xodokan Nation of Maroons and Grand Griot of New Orleans (Part Two)

Past, Present, and Future: A Conversation with Chief Xian aTunde Adjuah, Chieftain of the Xodokan Nation of Maroons and Grand Griot of New Orleans (Part One)

Broken Trance: A Conversation with Ches Smith on ‘Laugh Ash’

Review: Mary Halvorson’s ‘Cloudward’

Harmony on Your Side: A Conversation with George Coleman (Part Two)

Harmony on Your Side: A Conversation with George Coleman (Part One)

Premiere: NEA Jazz Master Abdullah Ibrahim’s Single “Water from an Ancient Well” from ‘3’

Complex Dream: A Conversation with Rubin Kodheli on his Music and Remembering Ryuichi Sakamoto

Marathon of Discovery: A Conversation with Winter Jazzfest Founder/Producer Brice Rosenbloom on the Festival at Twenty Years

Cloudward: A Conversation with Mary Halvorson

The 18th Annual Francis Davis Jazz Poll: The State of Our Union Could Be Better - The Arts Fue

Mourning and Hope: A Conversation with Susan Alcorn

PostGenre’s Best of 2023

Dedication: A Conversation with Dr. Eddie Henderson

Rob Shepherd’s Favorite Albums of 2023

PostGenre Media 2023 Readers' Poll

Review: Lucas Pino’s ‘Covers’

Painting with Sound: A Conversation with Sam Newsome

Viking of Sixth Avenue: A Conversation with Ghost Train Orchestra’s Brian Carpenter on Moondog

Sit with Sound: A Conversation with Sarah Belle Reid

Composing Peace: A Conversation with Miguel Atwood-Ferguson on ‘Les Jardins Mystiques, Volume 1’ - PostGenre

Unmined Field: A Conversation with Kate Gentile on ‘Find Letter X'

Resilient Hope: A Conversation with Caroline Davis on ‘Alula: Captivity’ - PostGenre

Shimmer Wince: A Conversation with Anna Webber on Just Intonation

Hearing Voices: A Conversation with George Lewis

Live Composing: A Conversation with Vijay Iyer on ‘Love in Exile’

Vibration Aiming at Silence: A Conversation with Matthew Shipp

Inevitable Funkiness: A Conversation with Larry Goldings on Scary Goldings

Arcus Pluvius: A Conversation with Steve Lehman on Big Bands, Artificial Intelligence, and ‘Ex Machina’

Five Music Boxes: A Conversation with Kris Davis on ‘Diatom Ribbons Live at the Village Vanguard’ - PostGenre

Review: Kris Davis”Diatom Ribbons: Live at the Village Vanguard’

Process Prevails: A Conversation with Darius Jones on ‘FluXkit Vancouver (i̶t̶s suite but sacred)’

Something Bigger: A Conversation with James Brandon Lewis on Mahalia Jackson

Observations from Day One of the 2023 Newport Jazz Festival

Friends Old and New: Artistic Director Christian McBride Previews the 2023 Newport Jazz Festival

Tide is My Witness: Cautious Clay Previews his 2023 Newport Jazz Festival Performance and New Blue Note Album

Magic is Real: Vijay Iyer Previews the 'Love in Exile' Trio's 2023 Newport Jazz Festival Performance

Armstrong Now: Giveton Gelin Previews Louis at Newport

Even the Sparrow: James Brandon Lewis Previews his 2023 Newport Jazz Festival Performance

Review: David Ake's 'Green Thumb' —

Laced With Creativity: A Conversation with Zeena Parkins

The Jazz Gallery Interview with Firas Zreik

Getting Them There: A Conversation with Newport Festivals Driver/Photographer Jack Casey

Relationships Through Music: A Conversation with Zakir Hussain on Shakti at 50 (Part Two)

Relationships Through Music: A Conversation with Zakir Hussain on Shakti at 50 (Part One)

Newport Jazz Festival History - The Recorded Legacy: Five Newport Performances that Changed Music History

Peace Through Sound: A Conversation with Lonnie Liston Smith (Part Two)

Peace Through Sound: A Conversation with Lonnie Liston Smith (Part One)

Conduit : A Conversation with Todd Clouser on The Mexico City Experiment

Mysterious Textures: A Conversation with Brandon Seabrook

Opportunity to Make Something Special: A Conversation with George Benson

Music at the Heart: A Conversation with Erik Friedlander

Voyage Austin Interview with Rob Shepherd

Review: Avram Fefer’s ‘Juba Lee’

April 2023 Capsule Reviews

Mixing Vocabularies: A Conversation with Mike Dillon on Punkadelick

March 2023 Capsule Reviews

Quiet Within: A Conversation with Ingrid Laubrock

Blasting Through the Barriers: DoomCannon and SXSW's Jazz re:freshed Outernational — PostGenre

February 2023 Capsule Reviews

Interview: A Conversation with an Anonymous Artist

Jazz Gallery Interview with Ethan Iverson on his 50th Birthday Performances

Harlem Hellfighter: A Conversation with Jason Moran on James Reese Europe (Part Two)

Harlem Hellfighter: A Conversation with Jason Moran on James Reese Europe (Part One)

Review: Thumbscrew’s ‘Multicolored Midnight’

January 2023 Capsule Reviews: Lakecia Benjamin, Satoko Fujii, Patricia Brennan, and Leland Whitty

Encuesta 2022 - Periodistas Internacionales - El Intruso

The 17th Annual Francis Davis Jazz Poll: A Profusion of Geniuses - The Arts Fuse

Singing Through the Horn: A Conversation with Billy Harper (Part Two) — PostGenre

Singing Through the Horn: A Conversation with Billy Harper (Part One)

Review: Jussi Reijonen's 'Three Seconds | Kolme Toista' — PostGenre

Rob Shepherd’s Favorite Albums of 2022

PostGenre’s Best of 2022

Narrative Freedom: A Conversation with Anthony Davis (Part Two)

Narrative Freedom: A Conversation with Anthony Davis (Part One)

Roots to Infinity: A Conversation with Donald Harrison, Jr. (Part Two)

Roots to Infinity: A Conversation with Donald Harrison, Jr. (Part One)

Review: Jakob Bro and Joe Lovano’s ‘Once Around the Room: A Tribute to Paul Motian’

Jazz Speaks/Jazz Gallery interview with Kenny Barron

Stranger Than Fiction: A Conversation with Trevor Dunn

All Singing Together: A Conversation with William Parker (Part Two) — PostGenre

All Singing Together: A Conversation with William Parker (Part One)

All Connected: A Conversation with Ron Carter (Part One)

All Connected: A Conversation with Ron Carter (Part Two)

Vibrational Miracle: A Conversation with Adam Rudolph (Part Two)

Vibrational Miracle: A Conversation with Adam Rudolph (Part One)

Time is Fluid: A Conversation with Angelica Sanchez

Sound is Everywhere: A Conversation with Jeff Coffin (Part Two)

Sound is Everywhere: A Conversation with Jeff Coffin (Part One)

Veer: A Conversation with Sarah Bernstein

Continuum: A Conversation with Steve Lehman on Sélébéyone (Part Two)

Continuum: A Conversation with Steve Lehman on Sélébéyone (Part One)

True Voice: A Conversation with Sasha Berliner

What to See at the 2022 Newport Jazz Festival - Sunday

What to See at the 2022 Newport Jazz Festival - Saturday

What to See at the 2022 Newport Jazz Festival - Friday

What the World Needs Now: Christian McBride on the 2022 Newport Jazz Festival and the Legacy of George Wein

Review: Tyshawn Sorey Trio’s ‘Mesmerism’

Human Nature: A Conversation with Nate Wooley (Part Two)

Human Nature: A Conversation with Nate Wooley (Part One)

Review: Steve Cardenas, Ben Allison, and Ted Nash's 'Healing Power - The Music of Carla Bley'

Rebooting the Connection : A Conversation with Ronnie Foster (Part Two)

Rebooting the Connection : A Conversation with Ronnie Foster (Part One)

Outside the Comfort Zone: A Conversation with Anna Butterss

Genuine Expression: A Conversation with Julius Rodriguez

The Jazz Gallery's Conversation with Benoit Delbecq

Informed by Art: Signmaker Nan Parati on Newport, New Orleans, and Her Craft

Oliver Lake: Making Justice And Love A Reality

Undercurrent: A Conversation with Ulf Ivarsson and Bill Laswell (Part Two)

Undercurrent: A Conversation with Ulf Ivarsson and Bill Laswell (Part One)

Open to Interpretation: A Conversation with Ches Smith

Poisonous Beauty: A Conversation with Mary Halvorson (Part Two)

Poisonous Beauty: A Conversation with Mary Halvorson (Part One)

Traveling the Universe: A Conversation with Bill Summers (Part Two)

Traveling the Universe: A Conversation with Bill Summers (Part One)

Out Into the World: A Conversation with Stuart Bogie (Part Two)

Out Into the World: A Conversation with Stuart Bogie (Part One)

Peaks and Valleys: A Conversation with Michael Leonhart (Part Two)

Peaks and Valleys: A Conversation with Michael Leonhart (Part One)

Trying to Do Right by the Music: Selected Recordings with Jim Anderson

An Immersive Conversation with Jim Anderson and Ulrike Schwarz

Live Review: Pat Metheny's Side-Eye Trio at Austin's One World Theatre on February 24, 2022

Review: Tomas Fujiwara's Triple Double's 'March'

Golden Rule: A Conversation with Sonny Rollins (Part Two)

Golden Rule: A Conversation with Sonny Rollins (Part One) — PostGenre

Bridging the Space Between: A Conversation with Alexander Flood — PostGenre

Review: Irreversible Entanglements' 'Open the Gates'

I Want My... : A Conversation with MTV Co-Founder Fred Seibert — PostGenre

Under Niagara Falls: Producer Fred Seibert on Cecil Taylor's Complete, Legendary, Live Return Concert — PostGenre

Orbital Rings of Saturn: A Conversation with Tyler Mitchell and Marshall Allen (Part Two)

Orbital Rings of Saturn: A Conversation with Tyler Mitchell and Marshall Allen (Part One) — PostGenre

Technology and Community: A Conversation with Greg Spero on The Chicago Experiment and NFTs

Up for the Challenge: A Conversation with Bob James (Part Two)

Up for the Challenge: A Conversation with Bob James (Part One)

Review: William Parker's 'Migration of Silence into and Out of the Tone World [Volumes 1-10]'

Fela Kuti & Africa 70's 'Zombie' (1977)

2021 Annual Jazz Critics' Poll

Rob Shepherd's Favorite Albums of 2021

Anthony Dean-Harris’ Favorite Albums of 2021

The Jazz Gallery Interview with Henry Threadgill, Part 2 — Jazz Speaks

The Jazz Gallery Interview with Henry Threadgill, Part 1 — Jazz Speaks

PostGenre's Best of 2021

Four Score: A Conversation with Wadada Leo Smith on Turning 80 (Part One)

Four Score: A Conversation with Wadada Leo Smith on Turning 80 (Part One)

An Alternative Holiday Playlist

Days in December: A Conversation with Jacqueline Kerrod — PostGenre

2021 PostGenre Hall of Fame Inductee: John Cage’s “4'33""

Review: Jonny Greenwood's Soundtrack to 'Spencer'

Sound World Exploration: A Conversation with Sara Schoenbeck

Density and Space: A Conversation with Yuma Uesaka and Marilyn Crispell

Melding of Worlds: A Conversation with Sylvie Courvoisier and Mary Halvorson

Eclecticism Continued: A Conversation with Dave Liebman (Part Two)

Eclecticism Continued: A Conversation with Dave Liebman (Part One)

Talk Memory: A Conversation with BADBADNOTGOOD’s Leland Whitty

Miles Davis: The Final Decade Revisited, Introduction

Review: Henry Threadgill Zooid's 'Poof'

Live Review: Herbie Hancock at the Paramount Theatre, Austin, TX, September 13, 2021

The Jazz Gallery's Interview with Kendrick Scott on 'Corridors'

Changing Molecules: A Conversation with Steven Bernstein (Part Two)

Changing Molecules: A Conversation with Steven Bernstein (Part One)

Forward Motion with George Burton - A Conversation with Meshell Ndegeocello

Review: Terence Blanchard’s ‘Absence’ featuring the E-Collective and Turtle Island Quartet

Observations from Day Three of the 2021 Newport Jazz Festival

Observations from Day Two of the 2021 Newport Jazz Festival

Observations from Day One of the 2021 Newport Jazz Festival

Newport Jawn: A Conversation with Christian McBride (Part Two)

Newport Jawn: A Conversation with Christian McBride (Part One)

Five Genre-Defying Selections from the Newport Jazz Festival’s 2021 Lineup

A History of the Newport Jazz Festival - Chapter XV: Passing the Torch, 2009-2016

The Jazz Gallery's Interview with Morgan Guerin on 'Sanctuary'

A History of the Newport Jazz Festival - Chapter XIV: Destinations, 2005-2009

Review: L'Rain's 'Fatigue'

Review: Questlove's 'Summer of Soul (… Or When the Revolution Could Not Be Televised)'

Ritual for the Losses: A Brief Conversation with Jen Shyu

Review: Marc Ribot's Ceramic Dog's 'Hope'

A History of the Newport Jazz Festival - Chapter XIII: Echoes of the Past, 2004

A History of the Newport Jazz Festival - Chapter XII: Expansion, 1995-2003

Celebrate Sun Ra's 107th Birthday with a Review of his Arkestra's latest album

Review: ‘Impulse! Records: Music, Message & The Moment’ and Sons of Kemet’s ‘Black to the Future’

A History of the Newport Jazz Festival - Chapter XI: Futures, 1990-1994

Review: Tony Allen’s ‘There is No End’

A History of the Newport Jazz Festival - Chapter X: Smooth Sailing?, 1984-1989

A History of the Newport Jazz Festival - Chapter IX: Homecoming, 1981-1983

Creative Necessity: A Conversation with Skerik

Making Contact: Max Ribner’s 1st Language

Review: Logan Richardson’s ‘Afrofuturism’

Looking Within: A Conversation with Joe Dyson

Moving Forward: A Conversation with Marcus Miller (Part Two)

Review: Thumbscrew's 'Never is Enough'

Moving Foward: A Conversation with Marcus Miller (Part One)

Shepherd Tone: Exploring the Violin’s Versatility

Reflections Through Geography with Joni Mitchell and Theo Bleckmann and The Westerlies

Review: ‘R+R = Now Live’

Review: Archie Shepp & Jason Moran's 'Let My People Go'

Review: Dave Brubeck's 'Time Outtakes' and Bill Evans' 'Live at Ronnie Scott's'

Premiere: Mike Casey and Blori's "Breath In"

Review: Joe Lovano Trio Tapestry's 'Garden of Expression'

2020 PostGenre Hall of Fame Inductee: Miles Davis’ “On the Corner”

John Chacona's Best of 2020

NPR Music's 2020 Jazz Critics Poll

Part Two: Ancient to the Future: A Conversation with Michael Wimberly on ‘Afrofuturism’

Part One: Ancient to the Future: A Conversation with Michael Wimberly on ‘Afrofuturism’

2020 PostGenre Hall of Fame Inductee: Professor Longhair’s “Mardi Gras in New Orleans”

2020 PostGenre Hall of Fame Induction: Louis Armstrong and his Hot Five’s “West End Blues”

2020 PostGenre Hall of Fame Induction: Ivor Stravinsky’s Rite of Spring

Review: Moor Mother and billy woods' 'Brass'

2020 PostGenre Hall of Fame Induction: J Dilla's 'Donuts'

2020 PostGenre Hall of Fame Induction: John Zorn's Naked City

Anthony Dean-Harris' Best "Jazz" Albums of 2020

Rob Shepherd's Best of 2020

PostGenre’s Best of 2020

Review: Brandee Younger & Dezron Douglas 'Force Majeure'

Interview: Ted Feighan (“Monster Rally”)

Review: Susan Alcorn’s Pedernal

Review: Keith Jarrett’s ‘Budapest Concert’

Review: EYOT’s ‘557799’

Review: Emi Makabe’s ‘Anniversary’

Review: Small Bills' 'Don't Play it Straight'

Underappreciated Giant: Marc Urselli on ‘Angelheaded Hipster’ and the legacy of Hal Willner

Review: Luke Stewart Exposure Quintet

Traveling the Spaceways: Sun Ra Arkestra's 'Swirling' and M'Lumbo and Jane Ira Bloom's 'Celestial Mechanics'

Reivew: Bootsy Collins' 'The Power of One'

Review: Butcher Brown's '#KingButch'

Review: Azymuth, Adrian Younge, & Ali Shaheed Muhammad's 'JID004'

Review: Blue Note Re:imagined

Review: Josh Johnson's 'Freedom Exercise'

Review: Cat Toren's Human Kind's 'Scintillating Beauty'

Review: Bob James' Once Upon A Time: The Lost 1965 New York Studio Sessions’, Admas’ Sons of Ethiopia’, and Takuya Kuroda’s Fly Moon Die Soon’

Scott Haas' Jazz from A to G: Sullivan's Travels, 2020

Review: Jesse Fischer's 'Resilience'

Interview: Producer Ben Rubin on the Analog Players Society's Tilted and Soundtrack to a Nonexistent Film

List: Five Non-Traditional Tributes to Charlie Parker

Review: Christian Scott aTunde Adjuah’s ‘Axiom’

Review: Marcos Valle, Adrian Younge, & Ali Shaheed Muhammad's 'Marcos Valle JID 003'

Review: Idris Ackamoor & The Pyramids 'Shaman!'

Scott Haas' Jazz from A to G: The Way In

A History of the Newport Jazz Festival - Chapter VIII: Fortress in the Wings, 1972-1980

A History of the Newport Jazz Festival - Chapter VII: Memory of a Giant, 1970-1971

A History of the Newport Jazz Festival - Chapter VI: Electric Aquidneck Experiment, 1969

A History of the Newport Jazz Festival - Chapter V: The New Thing, 1965-1968

Review: Regina Carter's 'Swing States: Harmony in the Battleground'

A History of the Newport Jazz Festival - Chapter IV: Revival, 1961-1964

A History of the Newport Jazz Festival - Chapter III: Goodbye Newport Blues, 1957-1960

A History of the Newport Jazz Festival - Chapter II: Diminuendo and Crescendo, 1956

A History of the Newport Jazz Festival - Chapter I: A New Tradition, 1954-1955

Review: Thumbscrew's 'The Anthony Braxton Project'

A History of the Newport Jazz Festival – Prologue: Born in Storyville, 1950-1954

Review: Gerald Clayton's 'Happening: Live at the Village Vanguard'

Musical Mentors: Gary Bartz & Maisha's 'Night Dreamer' and Archie Shepp, Raw Poetic and Damu the Fudgemunk's 'Ocean Bridges'

Review: Roy Ayers, Adrian Younge & Ali Shaheed Muhammad's 'Roy Ayers JID 002'

The Jazz Gallery's Interview with Marcus Gilmore

Interview: Alexander Flood's HEARTBEAT

Review: Okkyung Lee's 'Yeo-Neun'

Review: HiFiLo's 'Speak Your Name'

Review: Norah Jones' 'Pick Me Up Off the Floor'

Review: Brecker Brothers' 'Live and Unreleased'

Review: Michael Olatuja's 'Lagos Pepper Soup'

Review: Irreversible Entanglements ‘Who Sent You?’

The Jazz Gallery's Interview with Ambrose Akinmusire

PostGenre Review: Ambrose Akinmusire's 'on the tender spot of every calloused moment'

PostGenre Review: Aaron Parks' 'Little Big II: Dreams of a Mechanical Man'

PostGenre Review: Shabaka and the Ancestors' 'We Are Sent Here by History'

PostGenre Review: Nicholas Payton's 'Quarantined with Nick'

PostGenre Review: Takahiro Izumikawa's 'Life is Your Thoughts'

PostGenre Review: Nduduzo Makhathini's 'Modes of Communication: Letters from the Underworlds'

PostGenre Review: R.A.P. Ferreira's 'Purple Moonlight Pages'

Miles Davis Birthday Collection

PostGenre Review: Lakecia Benjamin's 'Pursuance: The Coltranes'

PostGenre Review: Hailu Mergia's 'Yene Mircha (የኔ ምርጫ)'

PostGenre Review: Charles Lloyd's '8: Kindred Spirits (Live from the Lobero)'

PostGenre Review: George Burton's 'Reciprocity'

Review: Kassa Overall's 'I THINK I'M GOOD'

Review: Ben Williams' 'I AM A MAN'

Review: Dave Liebman Expansions' 'Earth'