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The Piano Has Friends - Explorations of Chopin, Debussy, Bach and Beyond
The Piano Has Friends - Explorations of Chopin, Debussy, Bach and Beyond
1) 3/8 time: that looks like compound time right there, but is it? Learn how to identify and explain the differences between simple and compound time easily. 2) Irregular time signatures: does one just count to 5 or 7? Tip: it is, after all, irregular! 3) Transposition: should one just count two semitones downwards when transposing for a clarinet? Or are there better ways to transpose precisely? 4) Cadences: do any two chords beside each other form a cadence? Learn why it’s important to know where cadences occur to inform your performance. 5) Trills: where do we start, how do we end, and why does it matter?
Super Do Re Mi - Dalcroze Embodied Solfege Approaches
Super Do Re Mi - Dalcroze Embodied Solfege Approaches
Singing to Success: Adapting the Kodály Method into Holistic Musicianship Development
Singing to Success: Adapting the Kodály Method into Holistic Musicianship Development
1) 3/8 time: that looks like compound time right there, but is it? Learn how to identify and explain the differences between simple and compound time easily. 2) Irregular time signatures: does one just count to 5 or 7? Tip: it is, after all, irregular! 3) Transposition: should one just count two semitones downwards when transposing for a clarinet? Or are there better ways to transpose precisely? 4) Cadences: do any two chords beside each other form a cadence? Learn why it’s important to know where cadences occur to inform your performance. 5) Trills: where do we start, how do we end, and why does it matter?
Choirs in Rehearsal — Effective Strategies and Beyond
Choirs in Rehearsal — Effective Strategies and Beyond
Dalcroze Eurhythmics: Building Musical Fluency and Engagement
Dalcroze Eurhythmics: Building Musical Fluency and Engagement
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