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Selina Sue curates film programs focused on queer cinema history and independent features at London's Genesis Cinema and Rio Cinema. Her programming portfolio spans exploitation films like 1973's Girl Trash: Terminal Island to contemporary works such as Past Lives. She leads post-screening discussions analyzing these selections through cultural and historical lenses. Her curatorial practice emphasizes the intersection of archival cinema and modern storytelling, particularly works examining identity and genre conventions. She organizes screening series that connect historical film movements with current independent productions. Her analysis events contextualize both repertory and new releases within broader artistic traditions. The film curator facilitates public discourse on cinema's cultural significance through venue partnerships and discussion forums. Her programming creates platforms for exploring queer narratives in both classic and contemporary film. Her work documents the evolution of independent cinema while preserving critical conversations about influential works.