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Father: A Partition Narrative by Roy

Prafulla Roy is a prolific Bengali fiction writer who was awarded the Sahitya Academy award. His writings depict both urban and rural realities in India and draw from different social segments. The short story "Father" by Prafulla Roy explores themes of family honor, guilt, and the traumatic effects of the partition of India and Pakistan. It tells the story of a man named Shekhar Nath whose daughter was abducted and wife killed during the partition riots. Years later when his daughter visits him from what is now Bangladesh, he refuses to see her due to concerns about family honor. However, he eventually overcomes his prejudice and reconciles with his daughter. The story provides insight into the personal
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100% found this document useful (1 vote)
2K views3 pages

Father: A Partition Narrative by Roy

Prafulla Roy is a prolific Bengali fiction writer who was awarded the Sahitya Academy award. His writings depict both urban and rural realities in India and draw from different social segments. The short story "Father" by Prafulla Roy explores themes of family honor, guilt, and the traumatic effects of the partition of India and Pakistan. It tells the story of a man named Shekhar Nath whose daughter was abducted and wife killed during the partition riots. Years later when his daughter visits him from what is now Bangladesh, he refuses to see her due to concerns about family honor. However, he eventually overcomes his prejudice and reconciles with his daughter. The story provides insight into the personal
Copyright
© © All Rights Reserved
We take content rights seriously. If you suspect this is your content, claim it here.
Available Formats
Download as PDF, TXT or read online on Scribd

English /Sem.

4/EC-2(B)/Partition Narratives

Discussion on the Text : FATHER

About the Author

Prafulla Roy born on 11 September 1934 at Dhaka is a prolific fiction writer in Bengali
literature; he was awarded by Sahitya Academy award for his book Krantikal of Bengali
Literature in 2003. He came to India penniless from then Pakistan after the partition of
the country. He has had to struggle hard to gain a foothold in a newer land. Apart from
the trauma of the partition he had faced the aftermath of the second world war, the great
famine, the bloody communal riots. Once he took to travel throughout the country to
experience the living of the struggling people to minimize his own. He had been among
the tribals in Nagaland, the untouchables in Bihar, the rootless people from the mainland
in the Andamans etc. These experiences could become part of his writings.

Prafulla Roy’s writings depict powerfully and authentically the prevailing realities in
both urban and rural situations. His characters are drawn from every segment of the
society—be they professional, skilled or unskilled, of lower, middle or higher economic
preferences. That helps the reader discover the multidimensional social maze in India.
He has written more than 150 books including his novels and short stories. Many of
Prafulla Roy’s fictions have been filmed, and a few of them bagged the national and
international film awards. He also worked in the literary sections of a number of Dailies
in his later life.

In Bengali fiction, creative writers have mainly emphasised on the theme of nostalgia
of the lost homes, lost companionships and dislocation. Bengali writers have
consciously downplayed the element of violence and concentrated more on the new
beginnings. Bengali literature is characterized by the theme of migration, the attempt of
refugees to build new homes, their struggle to establish themselves, their feelings of
bewilderment, emptiness and alienation in the new environment. Debjani Sen Gupta
says: “In Bengali literature, partition is often seen in metaphysical terms. The hurt is
not in the body but in the mind, the soul. Madness is not a trope in Bangla stories, rather
it is a nostalgia and a constant dazed search to know how and why and where of, instead
of pathological experience. Partition is seen as a cosmological occurrence, a loss of
world rather than a loss related to prestige.”

Major Theme

There are several themes in this short story, Father by Prafulla Ray that run throughout
the story. The honour of the family finds importance to the old man. Didi's husband is
Muslim. Her husband saved her life and has provided a home and family with her. Still,
Shekharnath remembers the old dissension between their people. Even though she was
a child and had nothing to do with her predicament, if she had been raped or molested

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it would bring shame to the family. That is why the old man had wished his daughter
to be dead. Through her death, she would stay forever pure, and the family would not
be dishonoured.

The importance of family surrounds the entire story. The son and his family enjoy each
other. They work together to take care of the grandfather because he is their
ancestor. Before his wife was tragically killed, Shekharnath's family was happy. When
the old man realizes what he will miss if he allows his daughter to leave, he goes to her
and proudly welcomes her and her husband into his arms.

Another theme is the old man's guilt. He could have taken his family away when his
wife wanted him to go. He ignored her; and she died and his daughter was taken. Part
of his difficulty in seeing his daughter is not the honour, but the shame that he feels for
all the years that were taken from her because of his arrogance. The daughter has
searched him out; she wants the relationship. Through this acknowledgement, the old
man is set free to enjoy his new found family. Shekharnath took from the bag a gold
necklace and a diamond ring. Giving his daughter the necklace, he said, ‘I've not given
you anything. Your mother had these made for your wedding.’

Critical Analysis

Partition related short stories magnify the riots, arson, killing, looting, abduction and
rape during the Partition. These stories reflect comprehensively in all its totality, reality,
and variety of human suffering. As Alok Bhalla mentions about the writers of Partition
stories: “They (the partition stories) are rather, witnesses to a period in which we fell
out of a human world of languages, customs, rituals and prayers into a bestial world of
hatred, rage, self-interest and frenzy”. The writers of these stories frame the events in a
variety of ways and read them according to their own sense of the multi-religious and
multicultural past of the Indian subcontinent.

In the story Father by Prafulla Roy shows Shekhar Nath's daughter abducted, his wife
killed and their house set ablaze, during the riots. She has come to visit her father after
thirty years from Dhaka, when her father has the first glimpse of her: he reacts "My
God, let it not be her." He refuses to meet his daughter. He is determined that he would
not look at the face of one who had come from Dhaka. He had been praying for her
death year after year and had tried to oust her from his memory. But he was not able to
forget her. His daughter Khukku is married to Harun, a Joint-Secretary in the Ministry
of Education, who married her for respectability turning down several proposals.
Shekhar Nath's son persuades his father to accept his daughter. He questions him
whether he would have been able to find such a boy for his daughter in his community.
At last Shekhar Nath puts off his prejudice. Both father and daughter cry inconsolably
and in that flood of tears all the gross is washed away, a new relationship is established
beyond the boundaries, of love and sharing bereft of any prejudice.

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Traumatic experience is understood as a fixed and timeless photographic negative
symptom; it remains stored in an unconscious part of the brain. However, it maintains
the ability to interrupt consciousness and maintains the ability to be transferred to non-
traumatized individuals and groups. Moreover, this concept of trauma perceives
responses as fundamentally pathologic and privileges the act of speaking or narration
as the primary avenue to recovery. In other words, presenting trauma as inherently
pathologic perpetuates the notion that all responses to any kind of traumatic experience
produce a dissolute consciousness.

The major aspect of this story Father moves around the traumatic state of mind. Prafulla
Roy has set Bangladesh partition as its background in this fiction. It investigates the
trauma experienced by a father (Shekharnath) who constantly needed to separate
himself from his past recollections. These recollections included the homicide of his
significant patner Hemalata and abduction of his little girl Khuku by the agitators in
Dhaka during partition riots.

Above all this story presents a true picture of communal devastation during the period
of Bangladesh partition. The characters are well drawn and they represent lively picture
of their agony and depression in India-Pakistan-Bangladesh with the cult of Bengali and
Bihari ethos. The social fabric with the political upheaval is the culminating point in
shaping this story.

Suggested Reading:

1. Original text in Bengla translated into Hindi, Father.

2. Partition Dialogue by Alok Bhalla (O.U.P, Delhi)

3. Indian Writing in English by K.R.S. Iyengar.

Courtesy : Dr. Md. Ejaz Alam

*****************

Common questions

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Shekharnath embodies the psychological scars of partition in 'Father'. His initial refusal to acknowledge his daughter reflects a deep-seated emotional trauma. Despite thirty years passing, the memory of her abduction and his wife's death haunt him, illustrating the persistent nature of psychological scars from partition. His character reveals a common struggle among survivors who faced the partition's violent aftermath—a struggle between the desire to forget and the inability to overcome the memories of loss and shame. His eventual acceptance of his daughter marks a critical turning point in addressing personal trauma and guilt, showcasing the complex interplay between memory, emotion, and reconciliation .

The theme of reconciliation in 'Father' is portrayed through the emotional reunion between Shekharnath and his daughter after years of estrangement. Initially, Shekharnath cannot accept her due to the shame and memories associated with her abduction during the partition riots. Through the persistence of his son and facing the truth of their shared history, he eventually discards his prejudices and embraces his daughter. This act of acceptance and the shedding of past grievances signify the healing and establishment of new familial bonds, underscoring the importance of personal forgiveness and understanding in overcoming historical trauma .

The primary themes in Prafulla Roy's 'Father' include familial honor, guilt, and reconciliation, which reflect the historical context of the partition. The story is set against the backdrop of the partition, a time of significant communal violence, looting, and abduction. Familial honor is depicted through Shekharnath's initial unwillingness to accept his daughter due to the shame of her abduction. Guilt is explored through Shekharnath's regret over not leaving when his wife wanted, resulting in their separation. Reconciliation occurs when Shekharnath acknowledges his guilt and embraces his daughter, symbolizing healing beyond the pain of partition. These themes illustrate the personal and societal upheavals caused by partition .

Familial relationships in 'Father' play a critical role in addressing and ultimately overcoming the trauma of partition. The profound reconciliation between Shekharnath and his daughter illustrates the potential for familial bonds to transcend historical injustices and psychological scars. The driving force behind their reconciliation is the son, who acts as a mediator, highlighting the generational perspective on healing. This family dynamic shows that while external societal events can disrupt personal relationships, the intrinsic familial bond can also be a source of healing and reconciliation, underlining the resilience needed to overcome shared trauma and the importance of generational support in addressing trauma .

In 'Father', Prafulla Roy explores the societal and cultural implications of partition through the lens of personal family dynamics. The story exposes the communal devastations of partition which disrupt societal norms and cultural practices. It highlights the communal divide and prejudice that persisted post-partition, symbolized by Shekharnath's initial rejection of his daughter due to her association with the riots and her Muslim husband. The narrative emphasizes how partition deeply affected individual identities and societal relationships, uprooting previously harmonious multi-religious and multicultural societies, pushing them into a cycle of mistrust and prejudice. The reconciliation within the family serves as a metaphor for the necessary healing within the broader societal context .

Prafulla Roy's depiction of the partition in 'Father' focuses on the psychological and emotional impacts rather than the physical violence and madness depicted in other Bengali literature. Many Bengali writers tend to emphasize nostalgia for lost homes and the metaphysical loss experienced, presenting partition as a cosmological event rather than a strictly historical or physical upheaval. Roy, however, delves into the personal journey of overcoming the mental trauma and familial estrangement caused by partition. His narrative steers towards reconciliation and new beginnings, capturing the complex emotional undercurrents absent in more traditional depictions of partition that foreground violence and madness .

In 'Father,' the gold necklace and diamond ring symbolize the connection and continuity of familial love despite separation and turmoil. When Shekharnath gives the jewelry to his daughter, it represents a bridge across the chasm created by the partition. These items, made for her wedding by her mother, embody unfulfilled familial traditions and lost moments due to the family's traumatic separation. The act of handing them to his daughter illustrates Shekharnath’s acceptance, forgiveness, and the re-establishment of familial bonds. This exchange is symbolic of healing and the desire to restore what was fractured by historical events .

Prafulla Roy's personal history of experiencing the partition of India firsthand when he moved from then Pakistan to India contributes significantly to the themes he explores in his works, including 'Father'. The trauma of dislocation, nostalgia for lost homes, and the struggle to establish a new identity are reflected in his narratives. Roy’s experiences among various marginalized communities such as tribals in Nagaland and the untouchables in Bihar enrich his depiction of the diverse and multidimensional social complexities in India, as seen in 'Father'. The story navigates the psychological scar of partition rather than the physical violence, akin to Roy’s lived experience of mental and emotional upheaval .

Prafulla Roy portrays the psychological impact of partition as profound and lasting in 'Father'. He depicts Shekharnath, the main character, as tortured by memories of the partition, resulting in a denial and rejection of his own daughter who embodies those traumatic events. This narrative illustrates the concept of trauma as a 'fixed and timeless photographic negative' that interrupts consciousness. Shekharnath’s struggle to separate himself from past recollections reveals the ongoing mental turmoil experienced by those directly affected by partition violence. Roy emphasizes that trauma not only affects the immediate victims but can perpetuate throughout generations, affecting familial relationships deeply .

Prafulla Roy uses Shekharnath's daughter, Khukku, to challenge societal prejudices in 'Father'. Her character symbolizes resilience and the refusal to be defined by her abduction during the partition. Despite societal norms that could label her negatively, she marries Harun, a respected government official, defying communal divisions. Her return to her father and the persistence to reconnect challenge the deeply rooted prejudices concerning honor and shame associated with women in her situation. By seeking her father and prompting him to reconcile with her past, she subverts expectations and encourages a narrative of acceptance and love over prejudice and discord, highlighting the possibility of overcoming societal barriers .

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