A postponed meeting
gave us
two hours to kill.
10:30 in the morning,
we decided..
to drink wine.
Peach wine.
ABV 12%.
Product of Bhutan.
(Sweet benevolence
from a friend’s
first international trip)
Two pegs down,
and I was already high.
Never knew wine
hits so hard.
That’s the best part, she said,
it sneaks up on you.
We laughed.
We smiled.
We said nice things
to each other.
There was so much
I wanted to tell her,
I only managed a little —
including a confession.
A small win.
I was happy.
She seemed happy too.
It wasn’t even a date,
and still
it was better than one.
A Stereotypical Man
An Indian woman —
or for that matter,
a Pakistani woman too —
with long, intricate mehendi
on her hands,
is a sight to behold.
To touch her
along the length of it —
is bliss.
Add red bangles to those hands,
and kissing those palms,
or being caressed on the face
by the crackle of bangles
soothing your ears —
bliss unmatched.
I’m especially a fan
of seeing alcohol
or a cigarette
in mehendi-stained hands.
It’s rebellion in itself —
a short story of
modernity versus tradition.
But the ones with cigarettes
aren’t quite my type.
I wonder if it’s
deep-rooted bias,
or simply reluctance
to kiss a mouth
full of tobacco.
Maybe once or twice,
still okay —
but not forever.
I can’t take
too much rebellion.
I’m stereotypical that way.
Tapasi.
Two Halves, One Screw
A couple were fighting
on their second anniversary
“Baby.. We’re made for each other”
“Can’t be, Jaanu.. No one’s made for each other”
“No, baby.. It’s a match made in heaven”
“Come on, Jaanu.. It’s us who are working it out”
Neither had the decency
to concede,
for their better half’s satisfaction
And suddenly, I —
lost in the party —
was pulled into the line of fire
The wife demanded I
convince her husband
of their relationship’s
fairy tale origins
I tried.
He said,
“Be practical, Tapasi”
I didn’t know what to do,
both had right intentions
Yet she insisted I act,
because I was her brother
I had to prove my allegiance,
to her who had tied me
a rakhi
I picked up a peg glass,
still a quarter full,
and offered to throw it at him —
the bloody unromantic.
She got thrilled
So, I did it —
a dry run, a shadow practice,
nothing spilled, just a tease,
checked again if she was sure,
and right there, in front of
her man’s towering presence,
she said, ‘go for it’
Mind you, it was a house party —
casual wear, nothing expensive,
it wasn’t a big deal, or so I thought,
until I went for it.
All hell broke loose —
catastrophe on the balcony,
he unleashed a full-blown attack,
she, finally in the real world,
castigated me for doing something
so extreme.
But wasn’t it you —
Would I jump off the building
if she told me so?
Of course not.
And suddenly, I was the villain,
the one they could defeat,
so the two halves
could finally become one
It didn’t matter that I
was the only sober one —
neither drunk nor high
but guilty of ‘attempted murder’
And I stand banished
from their kingdom of love —
where everyone rides
superbikes or cars,
not tuk-tuks;
no one likes a third wheel
Tapasi.
Her Dictionary
“Kinda missing you”,
until I went along
with her
whims
“Kinda need your advice”,
so long as I
fancied her
fancies
“Will give you a head”,
if I set up her
single friend
on a date
“Wanna see your anger”,
“Wanna come over”,
“Why don’t you pick me up?”,
“Will you drop me?”,
YES, YES, YES
And the moment
I say
NO,
just one NO…
“Screw you”,
“Fuck you”,
“You’re just like
any other man”,
At her convenience,
I’m either white,
a good friend
worthy of curated playlists,
dinner and movie dates, hugs
or black,
a two faced asshole
who sweet talks for sex
There’s no in-between,
there cannot be in-between,
greys don’t exist
in her dictionary
She’s the elder sister
to all the angels,
I the spoilt brat
of Satanic world!
No one’s seeking
praise,
all one wants
is to end things
amicably
Tapasi
తాగి పడుకుందాం [An apolitical poem]
మాట్లాడుదాం
పోలవరం ప్రాజెక్టు గురించి
తెలుసుకుందాం ఇప్పుడా ప్రాజెక్టు
కట్టాల్సిన్నంత పెద్ద అవసరం ఏమిటని
మాట్లాడుదాం నీటిమట్టమవుతున్న
ఆ నాలుగొందలు పైగా గ్రామాల గురించి
బయటపెడదాం ఖాళీ చేయబడుతున్న
ఆ వేల వేల హృదయాల కథల్ని
బిచ్చమేద్దాం వారికి ఎంతో
కొంత నష్టపరిహారం
పోరాటమిద్దాం ఆ కాస్త
బిచ్చమైనా యేరుకోడానికి
మాట్లాడుదాం ఎవరూ పట్టించుకోని
ఆ అక్షరాల లక్షల వన్య ప్రాణుల గురించి
ప్రశ్నిద్దాం మన భాష రాని ఆ
జంతువులకు పక్షులకు పునారావాసం ఎక్కడని
గుర్తుచేసుకుందాం వోటు హక్కు లేని
వాటికి జీవించే హక్కు లేదని
నవ్వుకుందాం అదేదో వోటు హక్కు ఉన్న
గిరిజనులకు జీవించే హక్కు ఉన్నట్లు
లెక్క పెడదాం ఆ లెక్కలేనన్ని
తాటి చెట్ల విలువెంతని
అబ్బురపడిపోదాం అంబరాన్ని తాకే
ఆ తాటి చెట్లు కూడా పూర్తిగా మునిగిపోతాయని
యాత్రకెళ్ళొదాం చివరిసారి
పాపికొండలు చూడటానికై
వేచిచూద్దాం భవిష్యత్తుకై
ఆ భద్రాచల రాముని పరిస్థితిపై
అంతవరకు…
తాగుదాం
ఇక చేసేదేమీ లేక
పడుకుందాం
పడక తప్పదు గాక
మధ్యాహ్నమే లేద్దాం
మన బతుకేదో బ్రతకడానికి
మర్చిపోదాం
అసలు దేని గురించి మాట్లాడుతున్నారు
దేవుడా! నాకే ఎందుకు ఇన్ని సుఖాలు?


Ramana-gadu: An Unconventional Protagonist
Guntur Kaaram is not just a lost opportunity for Trivikram (a.k.a Guruji), but for the Telugu Film Industry as a whole
For sure, Guruji deserved most of the criticism that came his way post the release of Guntur Kaaram but to say that the movie is not worthy of Mahesh Babu in the first place is an inconsiderate thing to say. The theme, of course, may appear smaller compared to the larger ones they explored in their previous collaborations but the titular character that is carved out in the name of Venkata Ramana is a befitting successor to Nanda Gopal and Seetharama Raju. Look, for yourselves, at these three characters through the psychological lens and how the unavoidable circumstances of their lives shaped their defence mechanisms (their childhoods are told to us inside the movies itself and they couldn’t be more different).
- Nandu (in Athadu) is a loner, who usually keeps his secrets to himself. In multiple situations, he chooses to rather remain silent and walk away.
- Raju (in Khaleja) turns to sarcasm to hide his shortcomings and misfortunes, and makes fun of almost every situation, even the difficult ones.
- And Ramana-gadu (in Guntur Kaaram) is overly aggressive to not let his vulnerable side surface. He speaks out loud and makes his way through everything.
Indeed the typical Telugu protagonists are all highly inflammable as well, but it is unkind to reduce Ramana-gadu to one of them as there’s more to this guy than what it appears or what the caption suggests. Guruji did his homework to present his ‘hero’ in a new avatar and in doing so; he literally made him one of us. Ramana smokes unforgivingly to calm his nerves and resigns to a couple of drinks every night to cope with stress, dances to popular songs like we do, tears up at almost every instance and so on, so forth. All these indicate that he’s extremely vulnerable and the typical protagonists are barely vulnerable. Post 1:Nenokkadine, this is a role that demanded from Mahesh Babu a performance worthy of his stature and reputation. To state the obvious, he nailed it and his director should also be appreciated for pushing his boundaries.
The lyrics are proof of the work that went into creating and conceptualising Ramana-gadu. I believe that the quality of output rendered by the lyricists and composers is directly proportional to the inspiration given to them by the director and it does look like Guruji had done a great job in providing them with it. Both SS Thaman’s and Ramajogayya Sastry’s good work largely went under-appreciated due to the predetermined expectations, overall result and for some incomprehensible reason, the best song of the album (Amma Song) is not only released late but is also not used in the movie. Nevertheless, Sastry in particular did an excellent job in bringing across Ramana’s attitude towards life, his way of dealing with familial relationships and the sufferings that made him what he is.
It’s extremely rare to come across a Tollywood protagonist who is bogged down by the weight of family troubles. The usual routine is that he doesn’t really waste time in taking things into his hands and setting them right. In fact he is the one who preaches compromise, togetherness and the rest of family values. But here, Ramana says…
| LYRICS | ENGLISH TRANSLATION |
| ఏ లెక్కలు ఎవడికి చెప్పాలి ఏ హక్కులు ఎవడికి రాయాలి ఎవడెవడో వేసిన బరువు ఎందుకు ఎందుకు నే మొయ్యాలి | No one to account for No one to endorse for A burden loaded by others Why should I carry it on my shoulders? |

Like the majority of the common men, Ramana-gadu is unwilling to bear the burdens bestowed by others and wishes for things to not be so complicated. There’s a constant reference to his inner turmoil in all the three songs related to the character and the storyline (Dum Masala, Amma Song & Mawaa Enthaina).
| నేనో నిశేబ్ధం, అనునిత్యం నాతో నాకే యుద్ధం | I am silent, infinitely waging a war with myself |
| కను తడిగా కరిగినదా ఎద గదిలో సమరం | Are those eyes melting to tears? Chaos runs in my heart |
| నాజూకైన నాబోటోడికి దినదినమొక నరకం | For a sensitive man like me Everyday is a rotting hell |
Fortunately here is a hero who identifies himself as a sensitive person and far from advocating family values, he rather prioritises himself and most importantly, he wants to protect himself ‘emotionally’.
| నా మనసే నా కిటికీ నచ్చక పోతే మూసేస్తా ఆ రేపటి గాయాన్ని ఇపుడే ఆపేస్తా | My heart is my window And I close it at my will The wounds of tomorrow I avert them right now |
He reminds himself of his reality multiple times and that fate is not in his hands. He can’t change anyone, so he rather decides that he is responsible for his own happiness.
| ఏది మనదనుకుంటాం ఏది కాదనుకుంటాం లేని తల రాతని వెతికే మనసుకు ఏమని చెబుతాం | What is of our own, What is not? As I look for my absent fate, What is it I can tell my hopeful heart? |
| యాడో లేదు లోపం నా మీదే నా కోపం అందనన్న ఆకాశానికి ఎంతకని ఎగబడతాం | No one to blame I’m angry with myself When the sky remains unreachable How long can we leap? |
| నా తలరాతే రంగుల రంగోలి దిగులైన చేస్తా దీవాళి నా నవ్వుల కోటను నేనే ఎందుకు ఎందుకు పడగొట్టాలి | My destiny is a rollercoaster I maybe sad but won’t stop the celebration My own fort of laughter Why should I destroy it? |

It may look like I’m reading too much into the lyrics but what’s indisputable is that Ramana-gadu is a great character and his story had so much more potential and calibre, but it ended up taking the brunt of Mahesh Babu’s previous choices and received more flak than it should’ve. The producer was also right in his assessment that they shouldn’t have screened benefit shows as it is from these screenings that they received the most negative feedback and it may have happened because this movie is not suited for it.
Unlike any other festival releases over the years, it was immensely surprising that Guntur Kaaram opens on a moody and sombre note, and that its protagonist is extremely passive. He lets things happen to him rather than make things happen and this is exactly the reason which made the character stand out (and most of the fans disappointed). His conflict is so fresh and intriguing; he is required to sign a document stating that he has no ties with his mother and by the mid-point, this guy actually signs it because he gave up any hope of receiving any love from his mother.
The moment that we’re made to look forward the most is when Ramana will come face-to-face with his mother and this moment happens just like that with barely any melodrama (similar treatment repeats in the climax as well). I remember the feeling of being shell shocked in the intermission, I couldn’t entirely believe what I was watching. The often spoken of interval blocks are that the protagonists do something extraordinary and break for an interval on a high. But here, Ramana-gadu unprotestingly resigns to his fate and laments that his mother doesn’t need him and his father doesn’t remember him. He goes to compare his life to a matchstick that doesn’t ignite.

If only Guntur Kaaram retained its tone consistently throughout the movie (like Shekhar Kammula’s Leader), it’d have been a game changer in how Tollywood makes its movies and we would have more heroes who’re relatable. But of course the director had to make his protagonist play to the gallery because Mahesh Babu is just not an actor after all, he is a superstar. The reason I don’t entirely blame the director is because of the catch-22 situation we’re stuck in. Just like how we all self-censor, Guruji definitely didn’t have complete freedom (let’s not forget here that Athadu and Khaleja didn’t do well theatrically and who’s supposed to take the blame for it?). He had had to make space for the star to do the usual star stuff and unfortunately it faltered every time he tried to pull this chord, it just didn’t gel with the overall movie. I give Guruji the benefit of doubt because there’s no definite answer to what he’d have done if he had the ‘auteurist’ control and hence, Guntur Kaaram remains a lost opportunity not just for him, but it’s also the case for the Telugu Film Industry as a whole.
In the memory of an ever smiling man!
I don’t remember exactly, but there was a phase where I felt paranoid every time I had to interact with my paternal grandfather. I suppose it was sometime before the pandemic when he fell terribly sick and it dawned upon me that he is soon going away from us. Until then it was usual for him to fight through any illness and that’s what I believed he would keep on doing until my marriage at least, but since then, I feared every moment to be his last. The last few times, he never failed to mention that his time is up and that he is soon going away, and I waited for ‘it’ to happen as I could get it done with because around then, it took a heavy toll on me whenever I had to either meet or talk to him. The feeling only heightened during the pandemic, people were dying in heaps and bounds. I was prepared, this guy suffered from the same lungs the virus attacks so dearly. But he surprised me by making it through two rounds of pandemic. He was a strong, strong man and now, when he has truly passed away, I’m actually able to casually say that he died, unlike everyone, and I wonder if it’s because I’ve already mourned him so many times or if it’s because I’m away from home.
I just couldn’t see his health deteriorating and his frailing skin was a stark reminder. With all the treatment and constant nebulising, he really struggled hard to remain alive and thanks to the COVID-19 especially, he had to do something which is so against his nature. For the last couple of years, he was confined to home and I hated that more than anything because he always took immense pleasure in just going around the neighbourhood and interacting with everyone. When I say everyone, I literally mean everyone who passes by and as a kid, I witnessed him do that every time we were on the road and that’s the picture that comes to my mind when I think of him. I’m happy that his confinement has come to an end.
I must say that he is one of the luckiest men. He found a woman in my grandmother who loved him unconditionally and it’s because of her he wasn’t totally bedridden either. In fact, it’s her efforts that he at least lived two years additionally. The last few years, her purpose in life became to keep him alive and not just alive, but healthy and strong. No matter what, she made it a point to make him eat thrice a day and she would shout at top of her voice and beat herself up in order to make him swallow the food, be it in the solids or liquids way. I don’t know how she did that but she did that day in, day out, twenty four seven and I wonder where she drew the strength from, because she herself is old and fragile. I believe he is happy that she can finally take a chill pill and relax because she wouldn’t let go of him even if he wanted her to let go of him.

Something we as his kin can never match him in is his wittiness and healthy sarcasm. He was always ready to greet people with a smile and a polite dig at them. He loved his family, the extended-extended family. Not just us, he loved everyone, everything in general. He loved animals, he was a veterinarian. Even though my grandmother advised him against it, he still played around with our pug. Now that I recall I actually don’t remember him holding a grudge or being angry at someone for an extended period of time. He was a simple man who was always welcoming and who was always positive. For the same reason, I always wanted his funeral to be an extremely happy affair and always imagined hosting a memorial for all our friends and family to get together, talk and laugh in the memory of him. What I’m writing here is more or less what I would have said in the same. But the fate is that I’m here in America while his funeral had already taken place in Warangal yesterday.
Everyone says that I’m his favorite grandchild and I know that I am. I grew up with him. For some reason, I don’t remember going to school with him (I’m not sure if he was the one who dropped me in the mornings) but I remember him picking me up from the school, because on the way back, he always bought me something to eat and while I’d be happily eating that, he’d be chit chatting with someone like I mentioned above. There was this uncle (Raghotham Raju if I’m not wrong) whom we often met and my grandfather really enjoyed his company. Once in 2nd or 3rd standard, I had an homework submission in the afternoon session and to escape the same, I cited stomach pain and left school in the lunch break, and instead of going home directly, I went exactly where my grandfather would be and went home with him because he would shield me from my mother. We were in great sync.

He was the person who took me to every movie on the release day, and now that I think about it, I’m really not sure if he personally preferred watching movies. My father took me to movies as well and I at least remember him being excited about what we were going to watch or discussing it afterwards but I haven’t really heard my grandfather talk about movies ever (not even at home) nor I ever asked him if he liked a movie we watched. But he always took me to the theaters and sat beside me patiently. I for myself was totally lost on the big screen and I wish I looked at him to see if he was enjoying it. Maybe I’ll commission a painting of me and my grandfather, where I’m watching the screen wide eyed and him looking at me (his expression is up to the artist’s choice). I guess he came to the movies just for me because as I was growing old enough to go to the theater and come back home safely, he’d just give me money.
Thank you thatha for fuelling my love for cinema.
You wouldn’t like it much but it is what I’m doing for a living.
One of his biggest worries in his final days was that I didn’t have a real job. He said he’ll buy me a farm and that we could live there in order to ensure me a constant source of income. He went on and on about how I’d earn my livelihood and I feel disappointed in myself that I wasn’t patient enough to answer his worries (he also had memory loss). He did everything he could for me. He even moved out of Warangal to stay with me in Hyderabad for a few years and that’s a huge thing because the former is a place that means a lot to him.
And when he loved me so much, I wondered why he chose to die when I’m not there (technically, it’s fate but let’s just attribute it to him because things don’t happen in the universe just like that). Right off the bat, I thought my grandfather was angry at me for not talking to him enough in the last few months, angry at me for not visiting him regularly and angry at me for not video calling him often. But he is not that person who would be angry and hold a grudge, that too on his favorite grandchild and so, I continued to ponder over why it had to happen this way.
My karma is so bad that when my cousin video called me from the hospital to make me talk to him in one of his last conscious moments, I was high on pot brownies and half asleep (and this was the very first time I ever tried cannabis). I don’t even remember seeing him properly for one last time, the entire call was a haze. What goes around truly comes back.
The night he was on the death bed, my cousin had a conversation with me where she told me how angry/cold/frustrated a person I’ve become and how much I’ve distanced myself from the people that love me. One of the reasons I had talked less with my grandfather over the last few months is because my grandmother is the medium to reach him and I’ve stopped talking to her over a tussle in the family of which she is not the perpetrator. I’ve stopped talking to my sister, my brother-in-law, my aunt, my uncle and everyone I could, including my niece and just born nephew. I don’t even know what to tell myself. I’ve done this with full awareness because I thought not talking with an old woman and many others is an expression of dissent and protest. I mean, I’m still conflicted as to how to deal with the situation we have in hand because a certain action was necessary but I realize I could have done a lot better. Until I sat down to write this, I still thought my grandfather was angry with me, but I now feel that he wanted to remind me how true what my cousin said was.
Look at the timing of it all. He could’ve left while I was chilling with my maternal side cousins in Texas or my friends in Boston, but he waited until I came to visit my cousin (his eldest grandchild) and then left. I have no clue as to how different it’d have been if I’m not with her right now but somehow it all came together to happen this way and the above was a conversation she wanted to have with me for a few months now. Often if I have to tell someone something, I immediately write them a letter because I can’t wait or tell it to a close third person and hope they would communicate it, and I avoid talking to them in person because I’ve already communicated it. Even when I talk in person, I get so emotional easily and mess it up further. She waited to talk to me in person even if it meant I was distancing myself over the last few weeks and this once again tells me how important it is to wait and have conversations in person.
It’s a tough choice but I’ve decided to not go to India for the 11 day rituals because it’s the wedding of one of the many dearest cousins from my maternal side and I want to be there with him. But yeah, I have a lot to do when I go back and until then, I’ll work towards rebuilding the bridges I burnt within myself. I was a lot like him, a family man. I never used to hesitate to drop by a relative’s place if I’m in their vicinity and there were times when I used to dedicate a day or two solely to go meet my friends and family (and often I used to meet at least 10 different people in a day) and those were the days I was truly happy. More or less, that’s what I’m doing here in America and I’m enjoying every moment of reconnecting with people. I had a lot of patience for people before, but growing up corrupted me and made me come to a conclusion that everyone is selfish and that I’ll wait until they try to contact me but not everyone can make time in their lives to make an effort and go meet people outside their immediate circle for whatever reasons. But I guess I’ll once again start doing it as long as I can.
Because it’s been a while since I tasted my aunt’s sambar. It’s been a while since I narrated a story to my brother-in-law. It’s been a while since I watched a cricket match with a cousin in Ferozguda. It’s been a while since I met my friends and neighbors in my dearest Bowenpally. It’s been a while since I dropped by my relatives’ home in Gachibowli. And it’s been a while since I’ve done a lot of things that I usually like to do. I’ll once again restart doing them and live in the light and spirit of my ever-smiling grandfather, Yerra Narasimha Raju.
Thank you for everything, thatha. You’ll be missed.
P.S. The below is the video we made in 2021 when we had to shift him from Warangal to Hyderabad in midst of the pandemic.
Rebels in the family
To make
a short film
and impress
a girl —
was all I needed
his help for.
Ten years since,
he’s been helping
with everything.
He found in me
my talent.
I found in him
a godbrother.
He improves
my scripts,
soothes
my moods,
refines
my voice,
heals
my pains,
shares
my ambitions,
eases
my stress,
answers
my calls,
restores
my energy.
Every little thing,
except finding me
a girl —
the original cause.
I forgive him
only ’cause
he hasn’t found
one for himself
either.
Happy Birthday, Honey.
All I’ve ever given you,
from time to time,
are words.
Here are
a few more
to keep you company,
until we finally find ourselves
some action,
screaming actiooooonnnnn!
Tapasi.
Rerelease
Bukowski lets himself
fully feel
the defeat
of the present.
I don’t.
I cover it with
a pinch of hope,
forced optimism.
Maybe, like Charles,
I should let myself
loose,
let myself be unafraid
to scream
‘NOTHING HAPPENS’
‘NOTHING BLOODY HAPPENS’
‘FUCKING NOTHING HAPPENS’
Maybe that’s where
the release is.
Anyway,
I won’t have that option
tomorrow.
It’ll be a new day
and the only thing left
will be to start again,
fresh.
Tapasi.
One Battle After Another
Red, orange,
yellow, green,
indigo, violet…
A movement
full of colour,
a revolution
full of expression,
a fight
for inclusivity,
a struggle
for representation.
Yet an active queer friend
watches Dhadak 2 —
remake of the brilliant
Pariyerum Perumaal —
and asks about the significance
of the colour Blue.
That saddened me.
One battle for identity
doesn’t recognise
its neighbouring battle
for identity.
If he/she/they
aren’t aware
of what blue stands for,
it only means
many Indians still
don’t see
the country’s oldest,
deepest-rooted conflict.
And that’s the
real war —
we’re all lost
in our own battles!
Tapasi.
Relatable Art
Padukone landed a perfect
drop with Cocktail —
not your drink,
the movie
The enablers, the ones
who make things happen
are often the ones
who carry the pain
Veronica’s pain feels personal,
because she’s an enabler
Ae ve Allah waliandi
Jugni Ji
Her sacrifice was imminent —
Those who make things happen,
must let things happen
Ae ve mere Peer di
Jugni Ji
Gautam, Meera,
the others —
they’ll never know
the weight she carries,
the burden she shoulders
Oh dum ghutuku
Dum kutuku
Ultimately, it was
expected of her
to nod,
to smile,
to walk away,
to party —
even when dealt
an unfair hand
Dum kutuku
Dum ghutuku kutuku
Inshallah,
may no one’s loneliness
ever be mistaken for
aloofness
P.S. Better rewatch Cocktail after this —
everything will make more sense
Tapasi.
Mini Mahabharata
I had a friend —
you know,
a brother
from another mother
We fell apart,
we keep falling apart —
an everyday thing now
It could’ve ended long ago,
if one of us
had stepped up
to clear the air —
but we, ourselves,
are full of airs
We didn’t,
we couldn’t
Egos grow bigger,
hyped-up self-respect
even bigger,
maybe the fear
of being taken
for granted
again
So, as proud Indians,
we’re letting our
mini Mahabharata
run its course,
to dutifully uphold
its relevance,
even for
Gen Alpha
Tapasi.
Is that all?
I texted her,
just wanted to check in,
out of concern
and desperation,
or one of them.
Doesn’t matter.
What matters
is what she asked
later:
“is that all?”
Hmmmm…
Surely not.
She knows it, too..
We both want the same thing,
just that she needs it
longer than I do
right now
I could’ve asked for
anything;
she was in a
great mood,
but I read the forecast
regularly
Sooner or later,
it is bound to get
cold,
chilly,
stormy,
steamy
So we left it
warm
The dynamics don’t change
between a man and a woman.
It was the same
when Bukowski wrote,
it’s the same
when I text
She wants to hold it off
as late as possible;
he wants it
as soon as possible
Tapasi

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