ANALOG MODELED COMPRESSORS/LIMITERS CHEAT SHEET (v 1.

4) (June 11, 2017)

TYPE/
MODEL PLUGIN ATTACK RELEASE RATIO USEAGE
TOPOLOGY

Waves,
OPTO 60 ms @50 % - .5 - 5 s @ Bass, Synths, Vox, Buss
LA2A Cakewalk IK 10 ms freq. dependent Program dependent
100% Vox: LA2A > 1176 R:4-8
Multimedia,…
RMS
detection, 60 ms @50 % - .5 - 5 s @
medium LA3A Waves CLA 3A 1,5 ms Program dependent Bass, Vocals, Gtrs, Drums
100%
attack,
probably Buss, Bass, Piano, Gtrs, Keys,
CL1B Softube CL1B 500 µs - 300 ms 50 ms - 10 s (fixed/manual) 2:1 - 10:1 (variable)
feedback Vocals, Drums
topology
TLA-100A Softube Fast, Medium, Slow Fast, Medium, Slow Program dependant VOCALS, Drum Room Mics

Waves, PSP
FET Audioware, IK Everything (Bass, Drums, Vox,
1176 Multimedia, 20 µs - 800 ms 50 ms 1.1 s 4, 8, 12, 20:1 +ALL Gtrs, Dr. Pepper Setting: A: 10, R:
super fast N.I. McDSP, 2, Ratio: 4; Vox (1176 > LA2A)
attack, UAD…
transformer
Expander: 0.2, 2, 40 ms 0.025, 0.5, 0.1, 0.2, 0.4, 0.8, 1:1, 2:1, 3:1, 5:1, DRUMS, Bass, Vox, OHs, »When
saturation ADR F760 RS Boz +10 dB
Comp.: 0.25, 2.5, 25 ms 1.6, 3.2, Auto 10:1, 20:1 the Levee Breaks«

Drawmer 73 Softube Mix Bus

TC 1: 200 µs ≙ 0,2 ms 300 ms ≙ 0,3 s Program dependent. Acoustic Instruments, Vox

Waves TC 2: 200 µs 800 ms Limiter with special,
Fairchild IK Multimedia TC 3: 400 µs 2s Attack/Release
VARI-MU
660/670 Klanghelm, TC 4: 400 µs 5s Behaviors (Time
McDSP TC 5: 400 µs 2-10 s (Program dependant) Constants) Mix Bus
RMS
TC 6: 200 µs 0,8 s - 10 s
detection,
slow attack, N.I., UAD, LIMIT (4:1 to 20:1)
very wide Manley Vari Mu 25 - 70 ms 0.2, 0.4, 0.6, 4, 8s Mix Bus, Bass,Vox,Strings, Horns
McDSP COMP (1.5 to 1)
knee, tube
saturation Similar to LA2A with less artifacts
STA Level Sknote ? ?
when pushed harder

EMI RS 124 discontinued

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 TYPE/
MODEL PLUGIN ATTACK RELEASE RATIO USEAGE
TOPOLOGY

Mix Bus (warm, mid-range detail),

Waves, COMP: 400, 800 ms, 1.5 s, A. 1.5:1, 2:1, 3:1, 4:1,
Neve 2254 LIMIT: 1 µs, 1ms (Slow) Bass, Horns, Piano, Adds
McDSP LIMIT: 100, 200, 800 ms, Auto 6:1, Lim
Attitude
BRIDGED
DIODE Neve 33609 IK Multimedia 3 - 6 ms 100 ms - variable Bass

DRUMS & Busses, Snares,

Kramer Pie Waves 500 µs 1, 2, 4, 8, 16, 32 x 100 ms 1:1, 2:1, 3:1, 5:1, Lim
Everything

Waves API 1.5:1, 2:1, 3:1, 4:1, Mix Bus, Drums, Overheads US
API 2500 0,03, 0,1, 1, 3 10, 30 ms 0.05, 0.1, 0.2, 0.5, 1, 2 s, var.
2500 6:1, 10:1, inf.:1 Equivalent to SSL Bus Comp

API 525 LSR VLB 525 0.1, 0.5, 2.0, 2.5 s 2:1, 20:1 DRUMS, Bass

NI, Waves, 15 ms @ 10 dB
Bass, Drums, Low End Kick (dbx
Stillwell, 5 ms @ 20 dB
> Pultec EQ on Parallel Bus)
dbx 160 Softube, 3 ms @ 30 dB 120 dB/s 1:1 - inf.:1
Woody Kick (dbx > HP@240, LP
Sknote,
@ 5 kHz, Bost at 700 in Parallel
McDSP
VCA
Focusrite Red 3 Focusrite 25 - 500ms 0.1 - 4 s, Auto 1,5, 2, 3, 5, 10, inf.:1 Everything. Drums (in Parallel)
peak
detection, [Link] = 1 ms,
SSL Channel Waves 0.1 - 4 s 1:1 - inf.:1 Indivdual Elements
hard knee, OFF= Prog. dep.
fast attack/ Waves,
release, SSL G Comp 0.1, 0.3, 1, 3, 10, 30 ms 0.1, 0.3, 0.6, 1.2, Auto 2:1, 4:1, 10:1 Mix Buss, Busses, Drums
Cytomic, N.I.
probably
feedforward Soft, 2, 4, 8, 10:1,
Vertigo VCS-2 Brainworx 0.1, 0.3, 1, 3, 10, 30 ms 0.1, 0.3, 0.6, 0.9, 1.2 s, Auto Mix Buss
topology Brick

BSS DPR 402 Waves 50 μs - 100 ms 5 ms - 4 s, Auto 1:1 - inf.:1 in 0.1 incr. Punchy, 80s, Hip-Hop Drum, Vox

1:1, 1.5:1, 2:1, 3:1,

UAD, Sknote, 4:1, 6:1, 8:1, 10:1, Kick, Snare, Bass, Vox, Nuking
Distressor 50 μs - 40 ms 50 ms - 3000 ms (3 s)
Empirical Labs 20:1, inf:1 (= Rivet Room Mics, Parallel Comp.
Mode)

Shadow Hills Optical: 2:1

Opto: slow Optical: program dependent »The grand master of VCA
Mastering UAD/SKNote VCA: 1.2:1, 2:1, 3:1,
VCA: .1, .5, 1, 5, 10, 30 ms VCA: .1, .25, .5, .8, 1.2, Dual compressors« Drums, Mix Buss.
Compressor 4:1, 6:1, 20:1 (Flood)

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 TYPE/
MODEL PLUGIN ATTACK RELEASE RATIO USEAGE
TOPOLOGY

Elysia Elysia
0.01 -150 ms 5 - 1200 ms -4:1 - 10:1 DRUMS (AutoFast, Parallel)
Mpressor Mpressor

Elysia Alpha Elysia Alpha Mix Bus

Kush UBK-1 Kush UBK-1 Drums

OTHER/
SOFTWARE

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